A quick and dirty intro to the competing desires of assimilation and queer-distinct identities/visibilities among queer/gay/trans/etc folks. Goldstein's insights on queer politics are much stronger than his insights on the politics of race and class, so a grain of salt is good, but it's still a worthwhile read for those wanting a quick intro to why, for example, being straight and saying you like Andrew Sullivan won't win you every homo's allegiance.
In the 1970s, when sex was the emblem of liberation, this urge to create a mirror-image produced a new gay type known as the clone. He was out, proud, and very middle-class, and the culture he crafted was dedicated to the pursuit of exclusivity. In addition to the traditional array of leather bars, wrinkle bars (for the chronologically challanged), hustler bars and such, there were now blond bars, clubs where patrons had to squeeze past barriers designed to weed out the overweight, discos with steel mesh staircases to keep out drag queens in high heels, and plenty of chic gay venues with quotas for women. Though the disco culture was ostensibly defined by what novelist Andrew Holleran called "the democracy of the dance," this egalitarian aspect of clone life couldn't compete with the need to be part of an elite. The result was a polis of the pumped. Yet, as narcissistic as this society seemed, it wasn't just driven by vanity. Clones were attempting to create status in the only way out gay men couold in those days: through sex and style.