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The Call of the Horned Piper
The symbolism, archetypes & myths of the Traditional Craft, or Old Religion, in the British Isles & Europe. An exploration of the inner symbology, sacred cycles, working tools, incantations, spells & pathworking of the ancient Witchcraft. A practical grimoire, THE CAULDRON called it, "...the most important book on witchcraft since Gardner's Witchcraft Today. Highly recommended. 117 pages with illustrations.
160 pages, Paperback
First published August 1, 1990
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July 28, 2011Call of the Horned Piper
Nigel Jackson, Capal Bann
April, 1994
This is one of the best books written on the ancient craft of British Traditional Witchcraft. It is perfect for beginners giving them the mythology, symbolism and apt explanations. The book does an excellent job in the few pages allotted of explaining the vampire, werewolf and faery legends. The old religion and it's connection and origin in Indo-European shamanism and lore.
There is good practical instruction for the neophyte to get started. The second half instructs the student on the four sabbats, four directions and how to cast a circle. I will definitely be putting this information into my book of shadows. It tells about the degree of initiation and the tools of the craft you need and how to sanctify them.
Traditional British Witchcraft differs from Gardnerian Wicca. In Tradition there are 4 Sabbats instead of the Gardnerian 8. The four direction also correspond to different element .
Mr.jachkson makes the explanation simple enough that one can start practicing after reading. Enjoy and Bright Blessing.
The Twentieth Century has drawn to close and with it’s demise ends the era of religious domination over the human psyche. The power of Judeo Christian ideology wanes. With it’s waning comes the return of the old ways which were suppressed. There is an upsurge in academic and spiritual interest of the old ways. People are reacquainting themselves with the old ways.
The origin of the word witch comes from the Indo-European word Witcce or Wicce which meant wizard or sorcerer. These people were Shamanistic and could trance out into other worlds. These were people who could bend reality.
It must be surmised that Indo Europeans Tribes coming from the Don River and moved west brought with them the concept of the Queen Goddess and the horned God. Their religious idea and those of ancient Europe merged.
The Catholic Church tried to convert the entire continent of Europe by doing a top down conversion strategy. The clergy sought to convert the kings, warlord and soldiers, but the populace remained true to the old ways and the practices became underground.
The 1488 Papal Bull stigmatized the old religion and associated it’s practice with Satan worship. The followers of the old ways were branded as anti-social and deviants. Practitioners of the old ways wee deemed as a threat to the church. The punishments at first were rather mild . Such punishments included fines, mild imprisonment and maybe floggings.
In the 17th Century things began to get worse. The Puritan ideology held sway over Britain and Europe. The Puritan ideology dampened expressions of joy and stressed hard work. This ethic suited the Puritans well as they started to become landowner they used their ideology to subjugate the populace. The joyous ways of the old religion were a threat to them both ideologically and economically. The penalties for following the old religion became more severe and culminated with burning and hanging. The Old Ways were driven further underground.
Those who are interested in the Old Ways are blessed with a multitude of material that is now available. Dr. Margaret Murray explored the feminine side of the old religion. Gerald Gardner publicized an altered view of the craft while Robert Cochrane revealed the craft but obscured it with many other trappings.
The Shaman of the old ways strives to bring the different world closer together back to their primordial state where man and animal were able to communicate. The worlds were also closer together and men could communicate with spirit being as the spiritual worlds were much closer.
Thinking of the old ways a certain image comes to mind. The witch and her broom. She exits out her hut she sings a hymn and dances a bit. She smears an ointment on herself that enable her spirit to leave her body. It is said that such women could turn themselves into owls or cats even. Hares are also associated with witches and were also associated with the wild hunt. Such women were said to be in league with the witch Goddess SDiana or Herodias.
The Broom handle they flew on contained some significant mystical meanings. The broom handle was made of ash and signified air. This enabled the witch to reach the realms of Aesir. Willow withies bound the brush of the broom and it’s symbolism was of water which had to be crossed if she was to reach the realm of death and wisdom. Birch twigs signified the White Lady which was a return to innocence and purity so sought after.
In Siberia the Shamans rode out on a wooden hobby horse that was smeared with horse blood. This enabled them to travel to different realms, The legend seems to have spread to other parts of Europe like Scottland and Scandinavia. In these countries the witches would ride on different kinds of sticks but they would be referred to as some kind of horse.
The Broomstick was always symbolic. The Churchmen who devised to malign the old religion sought to make into something of physical levitation. The broom was a mystical tool to enter the realms of Herodias and taste the deep mysteries of her cauldron.
As far back as the 10th century Frankish clerics told tales of women flying with Herodia or Diana. Such tales are noted in the book "Romance of the Rose" with regards to women flying with the witch goddess. In Northern Europe it is Hulda who leads these ferocious hordes from the time of Samhain to Yule. Frau Hulda/ Freya is the Earth mistress the one controlling life and death.
Dame Hela is referred to by a German herbalist. Dame Hela taught him all that he knew about herbs. He would travel to the Mountain of Venus 4 times a year. To learn this knowledge. Dame Hela is beautiful to look at from the front but looks like rotted wood from the back. At this mountain of Venus is a gateway to the other world called Hurselburgh.
The Tale of Tanhauser tell of a knight or Troubador who travels to Hurselburgh. There he meets Elfflame the Faerie Queen who teacher him mysticism and gives him inspiration.
The Earth Mother the one who controls life and death is associated with snow. In Siberia the clan mother makes snow. Freya who is associated with mother goose has snowflakes coming from her outfit. When the Shamans had their mystical flight they were often associated with the goose.
In the 15th century Agnes Gerhard admitted to using an ointment that would help her fly through the sky like a goose. The ointment was made of lard, eggs and hallucinogenic herbs. The Styrian witches would gather the appropriate herb that corresponded to the day of the proper heathen god. This would help to empower the salve.
An important persons wife was arrested based on the fact that she flew to Unterberg. She flew to Venus Hill with Herodias and in the Mountain she cavort with wodwives and mountain dwarves.
Animals such as cats and hares ae associated with Freya as they often accompany her when she hunts. They have the ability to communicate with otherworldy being such as elves. The cult o Freya and the Seidre still managed to survive long after Christianity became the dominant religion. A correspondance to her in the British Isles is with the Faerie Queen Elf Flame.
Auld Hornie or the Dark Horned God is mentioned in The Trial of Aberdeen witches. They met the old horned god when he was in the form of a stag. THe archetypal horned God is the deity of fertility,death and exctasy. The Horned God is called Vindona and Guy ap Nudd.
The horne God is the Master of the hunt at the winters beginning and he is often times accompanied by stags, hounds, ravens and snow geese. The horned god has the name of aud scrat which has a meaning of woodose or wood daemon.
The God of the Hunt, Woden in Germanic Lore, comes from the Indo European word Watanos. Watano translated to our language means the "furious one" THe furious one would grant Shamans their excstatic vision. THis would enable the Shaman to prophecy. Tutursel the owl would announce the coming of Woden.
When Woden hunted in the wood he would always take the same paths. These were called Ghost paths and people avoided them at all costs lest they be driven insane or taken away. Even houses were built in a way so as not too interfer with the wild hunt. Legend always has Woden accomplanied by Black hell hounds and stags and it occurred ussually at Imbolc or Candlemass. It is said that even the dogs sometimes had horns. To this day seeing black hound signifies death.
In traditional British witchcraft A forked Ash Staff represented the Horned God and was ussually placed in the North to act as a guardian of the portal to the other world. Sometimes it was given antler and a linen robe.
The horned God would escort the dead to the uncderworld. THere is a Siberian God who did much the same and would chain people to a tree. Tungas or Siberain Shamans wore antler horns. The aspect of death cannot de denied.
During the Sabbats the witches would ride broomsticks, pitchforks animals etc and fly to dance with the God and Goddess. It was a time when animal spirits and humam spirits could commune The Sabbats were a sort of twilight time and served as gateways into another realm of consiousness Out in the field they would dance.
In Italy the striga would ask to be taken away to the benevento tree. They were commanded by the Goddess to "Domina Ludi" Mistress of the game. toplay Benevento.
An anecdote of a witches trial in 1669 after theri annointed journey they called upon the horned god three times. " Antessor come carry us to Blockola" The word Antessor comes from the word "Ansar" meaning divinity. In their supposed activities the witches flew to Black Peak and frolicked with the horned one.
In Saga THorenstein the hero flew to the underworld on a gandr or staff and stole jewlry from the kings of the underworld. This is very similiar to the Shamanic joureny wehre in the traveller travels to the underworld and comes back with jewels and wisdom.
During the Sabbats light is sought from the darkeness. In the Esoteric lore the underworld is reverse of everything here. Hecne during the celebrations prayers will be said backward and the witches dance widdershins.
While i communion with the Goddess on Venus mountain the Goddess teaches her followers magic and wisdom. There is also coupling with the deities. THe horned god is reperesent ed bu a skull and phallus. During the procession the Dark Horned God will be represented by taper candles that emit blue smoke. Sometimes the taper was placed on the middle part of the horned god's head. A sacred wine is drunk which supposedly consisted of wine and crows blood. Drinking it gave te drinker magical powers. Ceridewens coffin was associated with this and it was the cauldron that broght rebirtha dn it fermented wisdom. It was heated by sacred Seid fire which associated with Freya.
The devils mark which witch hunter made much a do about. Often it was left on the hand and was a red, black or blue mark . It can be left anywhere on the body. Witch hunters thought it was left with teeth or claws. Some times the mark took the form of a sigil or animal. Cernunnos left a rat shaped mark.
The witches familiar was inferred upon the novice upon being initiated a novice. The animal helped the witch do their magic. Sometimes the familiar dwelt within the witch it could be evoked at will. The cat was associated with Freya and the fae in Celtic lore. The cat had eyes that dilate with the fazes of the moon. The hare was associated with fertility and moon fazes. The horned god was master of the forest. He commanded the animal's every action. He also controlled fertility and wealth. Peolpe left him offering.
Toads held a special place in which lore. They could live underground as well as above ground. Like shaman they could travel to the underworld and back. Toad blood and skin secretion has hallucinogenic properties used in flying ointment. The Toadmen would put. A dead toad on an anthill. Later they would float the bones down a stream. The screaching bone was there's and it was magic. The horned god tried to trick the bearer into giving it up. Toadmen were still around in 1938.
Nigel Jackson, Capal Bann
April, 1994
This is one of the best books written on the ancient craft of British Traditional Witchcraft. It is perfect for beginners giving them the mythology, symbolism and apt explanations. The book does an excellent job in the few pages allotted of explaining the vampire, werewolf and faery legends. The old religion and it's connection and origin in Indo-European shamanism and lore.
There is good practical instruction for the neophyte to get started. The second half instructs the student on the four sabbats, four directions and how to cast a circle. I will definitely be putting this information into my book of shadows. It tells about the degree of initiation and the tools of the craft you need and how to sanctify them.
Traditional British Witchcraft differs from Gardnerian Wicca. In Tradition there are 4 Sabbats instead of the Gardnerian 8. The four direction also correspond to different element .
Mr.jachkson makes the explanation simple enough that one can start practicing after reading. Enjoy and Bright Blessing.
The Twentieth Century has drawn to close and with it’s demise ends the era of religious domination over the human psyche. The power of Judeo Christian ideology wanes. With it’s waning comes the return of the old ways which were suppressed. There is an upsurge in academic and spiritual interest of the old ways. People are reacquainting themselves with the old ways.
The origin of the word witch comes from the Indo-European word Witcce or Wicce which meant wizard or sorcerer. These people were Shamanistic and could trance out into other worlds. These were people who could bend reality.
It must be surmised that Indo Europeans Tribes coming from the Don River and moved west brought with them the concept of the Queen Goddess and the horned God. Their religious idea and those of ancient Europe merged.
The Catholic Church tried to convert the entire continent of Europe by doing a top down conversion strategy. The clergy sought to convert the kings, warlord and soldiers, but the populace remained true to the old ways and the practices became underground.
The 1488 Papal Bull stigmatized the old religion and associated it’s practice with Satan worship. The followers of the old ways were branded as anti-social and deviants. Practitioners of the old ways wee deemed as a threat to the church. The punishments at first were rather mild . Such punishments included fines, mild imprisonment and maybe floggings.
In the 17th Century things began to get worse. The Puritan ideology held sway over Britain and Europe. The Puritan ideology dampened expressions of joy and stressed hard work. This ethic suited the Puritans well as they started to become landowner they used their ideology to subjugate the populace. The joyous ways of the old religion were a threat to them both ideologically and economically. The penalties for following the old religion became more severe and culminated with burning and hanging. The Old Ways were driven further underground.
Those who are interested in the Old Ways are blessed with a multitude of material that is now available. Dr. Margaret Murray explored the feminine side of the old religion. Gerald Gardner publicized an altered view of the craft while Robert Cochrane revealed the craft but obscured it with many other trappings.
The Shaman of the old ways strives to bring the different world closer together back to their primordial state where man and animal were able to communicate. The worlds were also closer together and men could communicate with spirit being as the spiritual worlds were much closer.
Thinking of the old ways a certain image comes to mind. The witch and her broom. She exits out her hut she sings a hymn and dances a bit. She smears an ointment on herself that enable her spirit to leave her body. It is said that such women could turn themselves into owls or cats even. Hares are also associated with witches and were also associated with the wild hunt. Such women were said to be in league with the witch Goddess SDiana or Herodias.
The Broom handle they flew on contained some significant mystical meanings. The broom handle was made of ash and signified air. This enabled the witch to reach the realms of Aesir. Willow withies bound the brush of the broom and it’s symbolism was of water which had to be crossed if she was to reach the realm of death and wisdom. Birch twigs signified the White Lady which was a return to innocence and purity so sought after.
In Siberia the Shamans rode out on a wooden hobby horse that was smeared with horse blood. This enabled them to travel to different realms, The legend seems to have spread to other parts of Europe like Scottland and Scandinavia. In these countries the witches would ride on different kinds of sticks but they would be referred to as some kind of horse.
The Broomstick was always symbolic. The Churchmen who devised to malign the old religion sought to make into something of physical levitation. The broom was a mystical tool to enter the realms of Herodias and taste the deep mysteries of her cauldron.
As far back as the 10th century Frankish clerics told tales of women flying with Herodia or Diana. Such tales are noted in the book "Romance of the Rose" with regards to women flying with the witch goddess. In Northern Europe it is Hulda who leads these ferocious hordes from the time of Samhain to Yule. Frau Hulda/ Freya is the Earth mistress the one controlling life and death.
Dame Hela is referred to by a German herbalist. Dame Hela taught him all that he knew about herbs. He would travel to the Mountain of Venus 4 times a year. To learn this knowledge. Dame Hela is beautiful to look at from the front but looks like rotted wood from the back. At this mountain of Venus is a gateway to the other world called Hurselburgh.
The Tale of Tanhauser tell of a knight or Troubador who travels to Hurselburgh. There he meets Elfflame the Faerie Queen who teacher him mysticism and gives him inspiration.
The Earth Mother the one who controls life and death is associated with snow. In Siberia the clan mother makes snow. Freya who is associated with mother goose has snowflakes coming from her outfit. When the Shamans had their mystical flight they were often associated with the goose.
In the 15th century Agnes Gerhard admitted to using an ointment that would help her fly through the sky like a goose. The ointment was made of lard, eggs and hallucinogenic herbs. The Styrian witches would gather the appropriate herb that corresponded to the day of the proper heathen god. This would help to empower the salve.
An important persons wife was arrested based on the fact that she flew to Unterberg. She flew to Venus Hill with Herodias and in the Mountain she cavort with wodwives and mountain dwarves.
Animals such as cats and hares ae associated with Freya as they often accompany her when she hunts. They have the ability to communicate with otherworldy being such as elves. The cult o Freya and the Seidre still managed to survive long after Christianity became the dominant religion. A correspondance to her in the British Isles is with the Faerie Queen Elf Flame.
Auld Hornie or the Dark Horned God is mentioned in The Trial of Aberdeen witches. They met the old horned god when he was in the form of a stag. THe archetypal horned God is the deity of fertility,death and exctasy. The Horned God is called Vindona and Guy ap Nudd.
The horne God is the Master of the hunt at the winters beginning and he is often times accompanied by stags, hounds, ravens and snow geese. The horned god has the name of aud scrat which has a meaning of woodose or wood daemon.
The God of the Hunt, Woden in Germanic Lore, comes from the Indo European word Watanos. Watano translated to our language means the "furious one" THe furious one would grant Shamans their excstatic vision. THis would enable the Shaman to prophecy. Tutursel the owl would announce the coming of Woden.
When Woden hunted in the wood he would always take the same paths. These were called Ghost paths and people avoided them at all costs lest they be driven insane or taken away. Even houses were built in a way so as not too interfer with the wild hunt. Legend always has Woden accomplanied by Black hell hounds and stags and it occurred ussually at Imbolc or Candlemass. It is said that even the dogs sometimes had horns. To this day seeing black hound signifies death.
In traditional British witchcraft A forked Ash Staff represented the Horned God and was ussually placed in the North to act as a guardian of the portal to the other world. Sometimes it was given antler and a linen robe.
The horned God would escort the dead to the uncderworld. THere is a Siberian God who did much the same and would chain people to a tree. Tungas or Siberain Shamans wore antler horns. The aspect of death cannot de denied.
During the Sabbats the witches would ride broomsticks, pitchforks animals etc and fly to dance with the God and Goddess. It was a time when animal spirits and humam spirits could commune The Sabbats were a sort of twilight time and served as gateways into another realm of consiousness Out in the field they would dance.
In Italy the striga would ask to be taken away to the benevento tree. They were commanded by the Goddess to "Domina Ludi" Mistress of the game. toplay Benevento.
An anecdote of a witches trial in 1669 after theri annointed journey they called upon the horned god three times. " Antessor come carry us to Blockola" The word Antessor comes from the word "Ansar" meaning divinity. In their supposed activities the witches flew to Black Peak and frolicked with the horned one.
In Saga THorenstein the hero flew to the underworld on a gandr or staff and stole jewlry from the kings of the underworld. This is very similiar to the Shamanic joureny wehre in the traveller travels to the underworld and comes back with jewels and wisdom.
During the Sabbats light is sought from the darkeness. In the Esoteric lore the underworld is reverse of everything here. Hecne during the celebrations prayers will be said backward and the witches dance widdershins.
While i communion with the Goddess on Venus mountain the Goddess teaches her followers magic and wisdom. There is also coupling with the deities. THe horned god is reperesent ed bu a skull and phallus. During the procession the Dark Horned God will be represented by taper candles that emit blue smoke. Sometimes the taper was placed on the middle part of the horned god's head. A sacred wine is drunk which supposedly consisted of wine and crows blood. Drinking it gave te drinker magical powers. Ceridewens coffin was associated with this and it was the cauldron that broght rebirtha dn it fermented wisdom. It was heated by sacred Seid fire which associated with Freya.
The devils mark which witch hunter made much a do about. Often it was left on the hand and was a red, black or blue mark . It can be left anywhere on the body. Witch hunters thought it was left with teeth or claws. Some times the mark took the form of a sigil or animal. Cernunnos left a rat shaped mark.
The witches familiar was inferred upon the novice upon being initiated a novice. The animal helped the witch do their magic. Sometimes the familiar dwelt within the witch it could be evoked at will. The cat was associated with Freya and the fae in Celtic lore. The cat had eyes that dilate with the fazes of the moon. The hare was associated with fertility and moon fazes. The horned god was master of the forest. He commanded the animal's every action. He also controlled fertility and wealth. Peolpe left him offering.
Toads held a special place in which lore. They could live underground as well as above ground. Like shaman they could travel to the underworld and back. Toad blood and skin secretion has hallucinogenic properties used in flying ointment. The Toadmen would put. A dead toad on an anthill. Later they would float the bones down a stream. The screaching bone was there's and it was magic. The horned god tried to trick the bearer into giving it up. Toadmen were still around in 1938.
April 26, 2021
Devo admitir que fiquei um pouco desiludida com o livro, estava a espera de.... algo mais. Acho que o livro falhou em várias coisas, na minha opinião, mas a coisa mais flagrante foi a ausência de bibliografia ou de qualquer tipo de referências. Até no próprio posfácio, Gilberto Lascariz, faz alusão a isso. Não há qualquer menção a autores ou a outros Bruxos/Ocultistas aos quais o autor vá buscar informação. Acho que isso faz com que o livro perca muito, na minha opinião.
Adicionalmente senti que o autor fez grandes saltos na sua lógica, principalmente entre culturas (nórdica, celta, grega, eslava, etc) e entre pontos geográficos e temporais. O autor, numa frase, conseguia comparar coisas da Bretanha ou Gáulia pré-romana com coisas medievais do Norte da Europa. Não gostei, tirou muita objetividade do livro e deu-lhe um ar demasiado confuso e "all over the place".
Outro detalhe que não gostei nada foi que o livro, apesar de referir logo no início que Margaret Murray estava errada, continua, ao longo de todo o discurso, a propagar a teoria do "Witch-cults" que já foi descreditada mais do que uma vez nas comunidades académicas e por historiadores e cientistas.
Quanto ao posfácio, gostei e acho que adicionou muita informação ao livro, principalmente o detalhe de que o livro é, na realidade, sobre a tradição do autor e não um livro de Bruxaria Tradicional no geral, que o próprio autor não refere mas Lascariz, no posfácio, ressalva. Acho que o autor do posfácio poderia ter evitado o discurso tão claramente contra o Neo-Paganismo e a Wicca mas isto é só uma preferência pessoal.
No geral do livro, sou honesta, esperava um pouco mais e fiquei desiludida.
Adicionalmente senti que o autor fez grandes saltos na sua lógica, principalmente entre culturas (nórdica, celta, grega, eslava, etc) e entre pontos geográficos e temporais. O autor, numa frase, conseguia comparar coisas da Bretanha ou Gáulia pré-romana com coisas medievais do Norte da Europa. Não gostei, tirou muita objetividade do livro e deu-lhe um ar demasiado confuso e "all over the place".
Outro detalhe que não gostei nada foi que o livro, apesar de referir logo no início que Margaret Murray estava errada, continua, ao longo de todo o discurso, a propagar a teoria do "Witch-cults" que já foi descreditada mais do que uma vez nas comunidades académicas e por historiadores e cientistas.
Quanto ao posfácio, gostei e acho que adicionou muita informação ao livro, principalmente o detalhe de que o livro é, na realidade, sobre a tradição do autor e não um livro de Bruxaria Tradicional no geral, que o próprio autor não refere mas Lascariz, no posfácio, ressalva. Acho que o autor do posfácio poderia ter evitado o discurso tão claramente contra o Neo-Paganismo e a Wicca mas isto é só uma preferência pessoal.
No geral do livro, sou honesta, esperava um pouco mais e fiquei desiludida.
November 23, 2020
Oldie but goodie. Short and to the point. Almost wholly lacking in practicality and a good editor, but it really does do a solid job walking through the hallmarks of Traditional Witchcraft. Lee Morgan’s A Deed Without a Name is like a 21st century, far better version of this.
January 29, 2020
This was a nifty little book, and a great source of inspiration for the writer of fiction, fantasy, pagan-like tales, fairytales, witches, werewolves etc. I loved it!
February 4, 2024
Fiquei um pouco desiludida, há saltos: históricos e culturais, o que me deixou um pouco confusa. Fiquei muito entusiasmada com os relatos de bruxas acusadas, talvez o que mais gostei neste livro, mas não há qualquer referência ou bibliografia, apenas são citadas. Tirando isso é um ótimo livro para conhecer um pouco da história e conceitos da bruxaria tradicional (são referidos alguns exemplos portugueses).
December 30, 2012
I'm on page 92 of 160 of The Call of the Horned : I like that there is quite a bit of background information into the history and symbolism of traditional 'witchrafte' given at the beginning. The second half is written as a grimoire and gives very bare instructions on the practices. Either way, I am enjoy this brisk introduction.
October 7, 2008
I great beginner book. An introduction to Traditional Witchraft, aging, but still good.
December 29, 2012
This isn't fluffy, new-age material. I was engrossed.
September 14, 2013
This is a wonderful book, full of interesting information on traditional witchcraft. Some of the historical claims are a bit dodgy, but if you look past that the rest of it is fairly sound.
October 31, 2020
Great great material in this book but too many repetitions and typos.
June 6, 2014
É o primeiro livro de Bruxaria Tradicional publicado em Portugal e o primeiro que de facto adiciona algo ao que já sei sobre o Deus (existem muitos mais livros sobre a Deusa).
Através da sua leitura ganhamos uma compreensão mais profunda da cultura e da bruxaria europeia a partir da perspectiva das suas raízes antigas. Cobrindo todos os aspectos do Deus (Líder da Caçada, Senhor do Conhecimento, Mestre da Floresta, das fadas, etc.), Jackson divulga uma riqueza de conhecimento prático e teórico para todos os tipos de interessados neste tema.
Neste livro temos então uma visão antropológica do Deus Europeu (Horned God) onde são feitas comparações entre várias culturas e onde se aborda a integração e o desenvolvimento de conceitos e crenças que o cercam.
Este livro fala ainda do ciclo sagrado, das ferramentas de trabalho, encantamentos, feitiços, linhas espirituais, folclore relacionado com fios/cordas e com os nós nelas dados e ainda alguns ensinamentos relacionados com o país das fadas ancestrais.
Através da sua leitura ganhamos uma compreensão mais profunda da cultura e da bruxaria europeia a partir da perspectiva das suas raízes antigas. Cobrindo todos os aspectos do Deus (Líder da Caçada, Senhor do Conhecimento, Mestre da Floresta, das fadas, etc.), Jackson divulga uma riqueza de conhecimento prático e teórico para todos os tipos de interessados neste tema.
Neste livro temos então uma visão antropológica do Deus Europeu (Horned God) onde são feitas comparações entre várias culturas e onde se aborda a integração e o desenvolvimento de conceitos e crenças que o cercam.
Este livro fala ainda do ciclo sagrado, das ferramentas de trabalho, encantamentos, feitiços, linhas espirituais, folclore relacionado com fios/cordas e com os nós nelas dados e ainda alguns ensinamentos relacionados com o país das fadas ancestrais.
March 27, 2013
Lends vast insight into modern day Northern European culture through its heathen, Germanic roots.
November 7, 2015
A small book, but packed full of authentic witch-lore. It beautifully expresses the mytho-poetics of the Old Religion. Old Gods and Goddesses, Herblore, totems, the Wheel of the Year...
January 14, 2017
Interesting bits of folklore related to witches/witchcraft
September 25, 2018
Um livro muito interessante, fácil de ler, e com um certo aprofundamento destes temas. É refrescante no meio de tantos livros com informação introdutória mais do que repetida em qualquer blog
Displaying 1 - 15 of 15 reviews