Fictional crossovers are nothing new these days - heck, they're all the rage. Marvel's made billions from them as competitors scramble to scrap their own cinematic universes together, Super Smash Bros. reigns and Kingdom Hearts remains wildly popular, and TV shows like Once Upon a Time and Penny Dreadful use it as their gimmick. Fan fiction is also mainstream - franchise extensions like Jurassic World, reboots like the James Bond movies with Daniel Craig, and "reimaginings" like all those angsty YA versions of fairy tales technically count if they weren't made by the original creator. There's also 50 Shades of Grey, which started life as a fanfic of Twilight, which was itself a fanfic of Stephanie Meyer's life.
Back in 1972, this stuff wasn't quite so common beyond DC and Marvel's comic lines, Universal Horror movies, and Godzilla vs. X films. Then came Philip Jose Farmer. Sure, he didn't invent the crossover nor the fan fiction, but the three-time Hugo Award winner completely changed the way people viewed these genres - all because he was goddamn obsessed with Tarzan.
Tarzan Alive poses as an in-depth biography of the "real" Lord of the Apes. To this end, Farmer summarizes every single Tarzan book ever written by Edgar Rice Burroughs (who frequently crossed over Tarzan with his other series like John Carter and Pellucidar) and painstakingly corrects all the factual errors. Notably, he concludes that the Mangani, the apes who raised Tarzan, must have been a subspecies of hominid because other primates do not have complex spoken languages; every mention of a lion in Burroughs's books was actually a colorful substitution for leopards, which are more common to the jungle; and, most hilariously, Tarzan sexually experimented with Mangani females. There's just something funny about the image of a boyish Tarzan trying to seduce an ape.
If this sounds interesting to you, I should warn you that *this is the entirety of the text.* It's a mix of plot summaries in Wikipedia articles and annoying nerds quick to point out mistakes with a "Well, actually," and not all of Farmer's corrections are as interesting as Tarzan desiring gorilla sex. But to say that Tarzan Alive is extremely pedantic is to point out that the book did its job. Farmer's love of the character exudes even in his criticisms of Burroughs, whom Farmer repeatedly praises as a genius among pulp adventure authors by saying something like, "He only wrote the book like this because it's a better story than the facts!" I find it rather doubtful that a real historian or biographer would agree, but the admiration is there. These revisions can also be amusing and interesting, especially when Farmer gets started on talking about race and alleged racism in the Tarzan texts. However, I won't lie: the book can be as tedious as it sounds.
If there's one reason to read this book at all, it's not in the main text itself, but the addendums - specifically, Addendum 2. This essay states that Tarzan is part of a complex family tree that connects to Sherlock Holmes, the Scarlet Pimpernel, Phileas Fogg, Doc Savage, Prof. Edward Challenger, and Leopold Bloom (somewhat out of place among these pulp adventurers). Farmer describes the historical impact of a small meteor on the English town of Wold Newton in 1795, then explains that radiation from the meteor affected the genetics of several people passing by in coaches (including Liz Bennett and Mr. Darcy!). Apparently, this radiation also affected their unborn descendants, who were endowed with superpowers, grey eyes, and the right traits to be great protagonists.
This concept, and its exploration in this book and Farmer's other fake biography based on Doc Savage, elevates Tarzan Alive beyond a nerdy revision of an adventure series and into the Mother of All Massive Crossovers. The idea that all these disparate and previously unconnected characters were not only connected but related by blood and marriage popularized a different and crazy way to think about fiction. It strongly influenced countless authors, including Neil Gaiman, Alan Moore, Kim Newman, and myself. I've long been taken with the idea of mixing fictional universes, and it all started when I learned about this one is a child. And after a long search for the book, I'm just glad I finally had the chance to read the book, dull parts and all.
Random Notes:
- Addendum 2 may be where it's at, but be sure to gloss over Addendum 3. Once you skip all the bullshit about peerage, you get to read that Tarzan is related to every British Royal, Charlemagne, Beowulf, Odin, and Muhammed. Gosh, it's almost a disappointment that Tarzan was only a physically perfect nobleman who could talk to monkeys.
- The main takeaway I got from this book is that I really wanna try an actual Tarzan book now. I guess that's how Farmer got approval from the estate of Burroughs, among the first authors to extensively merchandise their creations and spread their brand.
- Farmer can try to rationalize it as much as he wants, but there's no way I could ever buy that Tarzan could learn to read English in childhood, when he was still being raised by fucking apes.
- The whole part where he says Greystoke isn't Tarzan's real family name just so he can connect the Lord of the Apes to the Greyminster family from a single Sherlock Holmes story? Yeah, I call bullshit.