Dlhoročný divadelný kritik a nezávislý novinár Mark Fisher krok za krokom popisuje celý proces vzniku recenzie a sprevádza čitateľov rôznymi metódami recenzovania divadla.
Fisherova kniha osloví začínajúcich kritikov a kritičky, no do svojich úvah vtiahne aj tých ostrieľanejších z divadelného fanklubu a divadelných profesionálov a profesionálky. Príručka písaná populárno-náučným štýlom sa na fungovanie divadla a písania o ňom pozerá veľmi prakticky. Namiesto nudného teoretizovania a zbytočných definícií Fisher cez sériu cvičení, ktoré sprevádzajú jednotlivé kapitoly, dáva čitateľovi priestor experimentálne si overiť jeho slová. S vtipom a nadhľadom uvažuje o tom, ako popísať jednotlivé aspekty inscenácie v analytickom texte, o tom, ako o divadle tweetovať či hviezdičkovať, ale aj o predsudkoch kritika aj predsudkoch o kritike.
Mark Fisher is one of Scotland's foremost commentators on the arts. With over 25 years' experience, he is the Scottish theatre critic for the Guardian, a former editor of the List and a freelance contributor to Variety, the Scotsman and Scotland on Sunday. He is the author of The Edinburgh Fringe Survival Guide ("A wonderfully practical but also inspirational book full of good advice" – Lyn Gardner, the Guardian) and How to Write About Theatre, published July 2015 (both Bloomsbury Methuen Drama). He is also editor of The XTC Bumper Book of Fun for Boys and Girls: A Limelight Anthology, published October 2017, and What Do You Call That Noise? An XTC Discovery Book, published March 2019 (both Mark Fisher Ltd).
I had to read this book for a college theatre class called “Shakespeare Around the Globe.” My class dove into different interpretations of Shakespeare in different countries, and this book was honestly both incredibly helpful AND incredibly enticing. I found myself often highlighting sentences and marking pages. It allowed me to pinpoint the important aspects in the plays I was reading and watching.
All in all, this author is witty and self-aware. I normally hate reading things that I’m forced to read, but this was a pleasant surprise!
tato recenzia prichadza od cloveka, ktory sa takmer vobec nevyzna v divadle, no vyzna sa do znacnej miery v slovencine... a preto hovorim, ze ten preklad je hroza a ovplyvnuje moje hodnotenie. predslov na mna urobil velmi zly dojem a tiahlo sa to po cely cas, nakoniec som ju ani nedocitala. niektore autorove myslienky ok, prinosne, ale stratene v preklade, neprisposobene nasmu jazyku, not worth it
This book was an absolute joy to read: it is written in a manner that is witty and fun, but manages to convey a whole range of things that are truly useful to think about for an (aspiring) theatre critic. It's a great place to start and - since it references a lot of other theatre-related books - a good source of ideas on what to read next.
A useful and very practical guide for anyone writing critically about theatre. Aimed mainly at the novice, it also provides some interesting insights for more experienced writers. Written by a successful working critic, it is definitely the best book by far on how to write theatre criticism and worth revisiting for reference.
This book was recommended to me as part of my Criticism and the Arts unit at university and it was indispensible. It made me a better reviewer, and especially helped to broaden my mind to ideas about theatre and performance I hadn't ever considered.
The best 'how to..' book I have ever read. It's a niche subject, but if theatre reviewing is something you are considering, it is really helpful, and really accessible. Yowsa Mark Fisher...
Knowledgeable and engaging, with lots of good examples and specifics from a very wide range of historical and contemporary criticism. Both useful and pleasurable to read.