Apparently Tennyson asked that Crossing the Bar should be placed at the end of any anthology of his work, and this selection respects his wish. His godson Hallam, and perhaps the man himself, thought it the best thing he had ever done. It’s a poem where you get the general idea, but its specifics need a bit of explanation: what is the Bar? Why should it ‘moan’? And why hasn’t Tennyson already met his Pilot, before putting out to sea?
Nevertheless it’s a masterly creation of an atmosphere, which as TS Eliot said was Tennyson’s strength. However this selection, made in 1941, majors on his narrative, Arthurian pieces: 60 pages of Enid, 30 of The Holy Grail, 20 of Guinevere. It has only brief excerpts of what now seem his most interesting works, In Memoriam and Maud, and omits things like The Two Voices and The Vision of Sin – both major but dark – altogether. It feels like the official, polite, Poet Laureate Tennyson, rather than the ‘hungry heart’; in fact you could be forgiven for thinking it was compiled with children in mind. The brief Introduction was written much more recently, by someone else entirely, and commends precisely the works that are not included; there are no notes to help the reader with obscurities like those of Crossing the Bar. Overall, the Penguin Classics edition edited by Christopher Ricks is a much better bet.
There are some great poems here, though; Ulysses, for example, is genius. I would rather read that than the Odyssey itself.