Stitches In Time, Georgetown Trilogy Book #3
by Barbara Michaels
Note: The first few paragraphs are of a personal nature, so you might want to skip to paragraph 5!
If you follow my reviews, you already know that this summer I decided I would read/re-read the novels written by the late Barbara Mertz, whether written as Barbara Michaels or as Elizabeth Peters. I started with books wasting away on my "to-read" bookshelf. then decided I'd read the Barbara Michaels works first. The first novel of Michaels' I'd ever read was "Ammie, Come Home," the first in this trilogy. I didn`t know it was a trilogy at the time, 1968 0r 69, and maybe Michaels didn`t, either. The second in the trilogy wasn`t written until almost two decades later, in 1986 ("Shattered Silk") and the third, this book, almost a decade after that, in 1995. I`d read them all, never realizing there was a connection.
Because the books are older, so perhaps not as popular as newer books in related genres, the main branch of my local library had none of these three books. I got the first through interlibrary loan, ordering it in mid-August. Only then did I realize that August of 2016 was exactly 3 years since the author`s death. That was the first of a few coincidences surrounding my renewed interest in her books. It came in from the Lake County library and I read it from September 3rd through the 7th. The second in the series came from the IVY Tech branch of my local library, and I read it September 11th through the 13th. I ordered this novel, the third and last in the series, again through interlibrary loan about the same time I was reading the second. It came in, this time from the John F. Kennedy library in Muncie, and I read it from September 30th to today, October 4, 2016.
This last novel had, personally for me, the oddest of the coincidences. Inside the book, about midway through, was the library receipt of, I assume, the last time the book was checked out, bearing a due date of September 13, 2013 -- one month after the death of the author and about exactly three years prior to my ordering it from interlibrary loan. All just coincidence -- right?
In any event, I feel my re-reading of these three books was meant to be, and given their gothic genre, that seems appropriate! Now on to my review!
The element that ties the three of these novels together consists of the main characters of the second two having a connection to two of the main characters of the first, Ruth and Pat MacDougal, who appear in all three. There is no connection plot-wise, as each stands firmly on its own story. Lots of research into women's myths and customs of the pre-Civil War South, as well as research into the history of textiles and magic beliefs. Plotting is exceptional, pacing flows flawlessly, and the characterizations are fully fleshed out and consistent. Excellent proofing and editing. The only three things I noted were references that delighted me. On page 176, a reference to the old Reader`s Digest condensed books, which were a regular feature in my childhood home. On page 191, the entire 4th paragraph, which included this: "...That's the trouble with life. It`s so untidy. The characters in novels hardly ever seem to worry about eating and sleeping and earning a living--much less putting the investigation on hold while they wait for the plumber to come and unstop the toilet, or cope with rejected lovers." And, at pages 238 and 268, reference to a minor character working from home in a desktop publishing business. 1995—ah, the early years of internet access!
In this book, the author returns to the true gothic feel, with a story that includes a true paranormal element. Kara (Karen from the second novel, and sister to Sarah from the first), a niece of Ruth's, is happily running her vintage clothing store with her best friend and sister-in-law, Cheryl. While Kara and her husband, Mark, live in the house from the first two novels, the shop is located elsewhere, and Cheryl and her husband, Tony (Mark`s BFF), live in the same house that is home to the shop. There is one employee, Rachel, who is the main character in this book.
The storyline dovetails with Rachel`s dissertation subject: the idea of women literally sewing magic into textiles they produced. As traditional "women's work" would have very little written history surviving in patriarchal societies, much of her research involved personal diaries of, or works studying the same, the woman who produced the clothing and household textiles. When three valuable antique quilts are found on the shop's front porch following a failed robbery, the plot begins to weave itself into the lives of the characters. One of the quilts, an album quilt, is of exceptional talent, although it seems impervious to standard cleaning techniques. It's beautiful and Rachel is somehow drawn to it. When Cheryl and Tony travel to Ohio for the holidays, Rachel moves in to housesit the shop and the family pets, and a friend of Mark`s and former student of Pat's, Adam, also arrives to help. The players are all in place, and the drama has already begun. Does the old quilt carry a curse forward? Who is in danger and can the group find the answers they need in time?
All in all, this was a wonderful read and a satisfying end to a trilogy four decades in the making.