A child pornography ring preying on Indian kids in white foster homes is Renee LaRoche's target as she takes to her jeep and the investigative trail once again in the second Native American lesbian mystery from two-Spirit Ojibwa author, Carole laFavor."The dialogue is excellent, the sense of place vivid and memorable". -- Lambda Book Report
"Readers will learn Ojibwa words of greeting and blessing as they enjoy a lesbian mystery that adds some cultural diversity to the subgenre". -- ALA Booklist
Renee LaRoche takes to her jeep and the investigative trail once again in Evil Dead Center, the second Native American lesbian mystery from Carole laFavor. When an Indian woman is found dead just off the Red Earth Reservation, the white coroner rules the Jane Doe a death by exposure. But an unexpected phone call from Renee's old girlfriend, Cal Beltrain -- her political buddy and lover during AIM (American Indian Movement) days -- raises questions about the woman's identity. As Renee and the Red Earth tribal police run down clues, the murder motive is exposed: an attempt to cover up a child pornography ring preying on Ojibwa kids placed in white foster homes.
In prose that reveals the traditions, joys, and hardships of daily life on the reservation, the author explores the often conflicting cultural influences in Renee's world: the emotional tug of her time with Cal, and the realities of her increasingly committed relationship with her chimook (white) lover, Samantha; the stories given her by the women of her Bear Clan family, and the ways in which she uses them to track the perpetrators of escalating porn-related crime.
A terrifying chase in the Boundary Waters wilderness area justas an unexpected late-season blizzard hits forces Renee to deal with the dangers of both nature and man. Her survival is at stake as she is targeted for violence.
The book is different in tone to most of white American writers, as it is not hard boiled or of the Noir genre.
The main sleuth Renee LaRoche is Ojibwe and the landscape and her interaction with the landscape is very important. The employment of Native American cultural and religious practices is a strong part of the plot.
The book touches on numerous issues faced by Native Americans in the US. However, the white male protagonists are rather stereotyped as the "evil" culprits.
It remains a book well worth reading and I am sorry that laFavor never managed to write more in this series.
This chilling mystery set in northern Minnesota, among the Ojibwa, on Red Earth Reservation. Renee LaRoche walks the edge of the blade between white and Ojibwa culture to find a killer. She gets more than she bargained for. This book covers so many topics (prejudice, child abuse, same sex relationship), yet it still tells a really good story! Would make an excellent cop TV series! #mnauthor #readin24
About a year has passed since Renee LaRoche helped solve a murder on her Ojibwa reservation. She is still teaching part time in an elementary school and “helping out” at the Tribal Police station, although without official status. She is also still living with her Chinook girlfriend Samantha, who has gained a small degree of success by writing a book about a woman on the rez. It’s a cozy, comfy situation, kind of like being by a fire on a snowy day.
Then trouble comes. Caroline Beltrain, Renee’s first girlfriend, who she dated in their shadowy Movement days almost two decades earlier—contacts Renee about a friend of hers that has just been found dead. The coroner has pronounced it a suicide by exposure to the elements, but Caroline tells Renee that it was murder. And of course it was. And in the course of the investigation, Renee not only uncovers the murderer, but also a child pornography ring aided by people in local government. Another problem Renee uncovers is the tendency of social workers to place Native foster children with white families outside the reservation.
Racism abounds. For instance, it is racism that causes a white coroner to simply assume a cause of death based on his preconceptions on Native-American alcoholism. It is racism that puts Native children in white homes when other solutions are available. It is racism that makes people turn their heads whenever Renee walks into a white establishment. Yet it seems that it is always Renee that is called on to do the dirty work.
Truthfully, the mystery is little more than laFavor’s essay on how her Native-American community has been taken advantage of by people outside the tribe who think they know better that those who are in it: social workers, police, government agents, and pretty much everybody else. And it is also a forum for the author to recount a number of traditional tribal stories—almost as if laFavor—aware of her AIDS diagnosis—wants to get down as many of them as she can.
For instance, here’s one on conservation: “It is important we learn to walk lightly, because the faces of our unborn ancestors are looking up at us, relying on us to care respectfully for their inheritance.”
And on harmony in nature: “When a bird picks up some of your hair and includes it in their nest . . .all the little birds wake up every morning with your scent and remember you forever.”
But I think that her reference to the Movement—Native-American activism on racial injustice that sometimes took a violent turn—is both the most interesting and the most disappointing motif in the novel. It is interesting because it was started partially due to broken treaties with the U.S. Government. One “broken treaty” had to do with Native Americans being kicked off their land because of gold mining; another because of uranium extraction on tribal lands. Sound like DAPL? Well, that’s because they are exactly the same. Under the present government administration—20 years after the time of this novel—what Big Oil wants, Big Oil gets. The Movement is ongoing.
My disappointment stems from the fact that laFavor gives us only tantalizing hints about Renee’s and Caroline’s involvement in the Movement. We know that it was often dangerous and involved covert operations, but we are never given any details; never given even a single flashback scene to make Renee’s memories vivid or even believable. This becomes even more of an obvious omission when, toward the end of the novel, Renee gets involved in one of the most harrowing and dangerous situations in lesbian mystery fiction.
Because laFavor is still the only Native-American to write lesbian mysteries, Evil Dead Center must be ranked among the important books in the genre. But that doesn’t mean that it is a very enjoyable one. As I did for her earlier book, I am going to give this one just enough of a rating—2.6 or so—to jump it up to 3 on the Goodreads scale.
Note: I read the first printing of the Firebrand Books edition.
Another Note: This review is included in my book The Art of the Lesbian Mystery Novel, along with information on over 930 other lesbian mysteries by over 310 authors.