What do you think?
Rate this book
A New World Order : Selected Essays
The Africa of his ancestry, the Caribbean of his birth, the Britain of his upbringing, and the United States where he now lives are the focal points of award-winning writer Caryl Phillips’ profound inquiry into evolving notions of home, identity, and belonging in an increasingly international society.
At once deeply reflective and coolly prescient, A New World Order charts the psychological frontiers of our ever-changing world. Through personal and literary encounters, Phillips probes the meaning of cultural dislocation, measuring the distinguishing features of our identities–geographic, racial, national, religious–against the amalgamating effects of globalization. In the work of writers such as V. S. Naipaul, James Baldwin, and Zadie Smith, cultural figures such as Steven Spielberg, Linton Kwesi Johnson, and Marvin Gaye, and in his own experiences, Phillips detects the erosion of cultural boundaries and amasses startling and poignant insights on whether there can be an answer anymore to the question “Where are you from?” The result is an illuminating–and powerfully relevant–account of identity from an exceedingly perceptive citizen of the world.
At once deeply reflective and coolly prescient, A New World Order charts the psychological frontiers of our ever-changing world. Through personal and literary encounters, Phillips probes the meaning of cultural dislocation, measuring the distinguishing features of our identities–geographic, racial, national, religious–against the amalgamating effects of globalization. In the work of writers such as V. S. Naipaul, James Baldwin, and Zadie Smith, cultural figures such as Steven Spielberg, Linton Kwesi Johnson, and Marvin Gaye, and in his own experiences, Phillips detects the erosion of cultural boundaries and amasses startling and poignant insights on whether there can be an answer anymore to the question “Where are you from?” The result is an illuminating–and powerfully relevant–account of identity from an exceedingly perceptive citizen of the world.
- GenresEssaysRaceNonfiction
320 pages, Paperback
First published January 1, 2001
1 person is currently reading
91 people want to read
About the author
Caryl Phillips
52 books215 followers Caryl Phillips was born in St.Kitts and came to Britain at the age of four months. He grew up in Leeds, and studied English Literature at Oxford University.
He began writing for the theatre and his plays include Strange Fruit (1980), Where There is Darkness (1982) and The Shelter (1983). He won the BBC Giles Cooper Award for Best Radio Play of the year with The Wasted Years (1984). He has written many dramas and documentaries for radio and television, including, in 1996, the three-hour film of his own novel The Final Passage. He wrote the screenplay for the film Playing Away (1986) and his screenplay for the Merchant Ivory adaptation of V.S.Naipaul's The Mystic Masseur (2001) won the Silver Ombu for best screenplay at the Mar Del Plata film festival in Argentina.
His novels are: The Final Passage (1985), A State of Independence (1986), Higher Ground (1989), Cambridge (1991), Crossing the River (1993), The Nature of Blood (1997), A Distant Shore (2003), Dancing in the Dark (2005), In the Falling Snow (2009), The Lost Child (2015), A View of the Empire at Sunset (2018) and Another Man in the Street (2025). His non-fiction: The European Tribe (1987), The Atlantic Sound (2000), A New World Order (2001), Foreigners (2007), and Colour Me English (2011). He is the editor of two anthologies: Extravagant Strangers: A Literature of Belonging (1997) and The Right Set: An Anthology of Writing on Tennis (1999). His work has been translated into over a dozen languages.
He was named Sunday Times Young Writer of the Year in 1992 and was on the 1993 Granta list of Best of Young British Writers. His literary awards include the Martin Luther King Memorial Prize, a Guggenheim Fellowship, a British Council Fellowship, a Lannan Foundation Fellowship, and Britain's oldest literary award, the James Tait Black Memorial Prize, for Crossing the River which was also shortlisted for the 1993 Booker Prize. A Distant Shore was longlisted for the 2003 Booker Prize, and won the 2004 Commonwealth Writers Prize; Dancing in the Dark won the 2006 PEN/Beyond the Margins Award. He is a Fellow of the Royal Society of Literature and the Royal Society of the Arts, and recipient of the 2013 Anthony N. Sabga Caribbean Award for Excellence.
He has taught at universities in Ghana, Sweden, Singapore, Barbados, India, and the United States, and in 1999 was the University of the West Indies Humanities Scholar of the Year. In 2002-3 he was a Fellow at the Centre for Scholars and Writers at the New York Public Library. Formerly Henry R. Luce Professor of Migration and Social Order at Columbia University, he is presently Professor of English at Yale University. He is an Honorary Fellow of The Queen's College, Oxford University.
A regular contributor to The Guardian and The New Republic, his most recent book is, Another Man in the Street.
(taken from carylphillips.com official web site)
He began writing for the theatre and his plays include Strange Fruit (1980), Where There is Darkness (1982) and The Shelter (1983). He won the BBC Giles Cooper Award for Best Radio Play of the year with The Wasted Years (1984). He has written many dramas and documentaries for radio and television, including, in 1996, the three-hour film of his own novel The Final Passage. He wrote the screenplay for the film Playing Away (1986) and his screenplay for the Merchant Ivory adaptation of V.S.Naipaul's The Mystic Masseur (2001) won the Silver Ombu for best screenplay at the Mar Del Plata film festival in Argentina.
His novels are: The Final Passage (1985), A State of Independence (1986), Higher Ground (1989), Cambridge (1991), Crossing the River (1993), The Nature of Blood (1997), A Distant Shore (2003), Dancing in the Dark (2005), In the Falling Snow (2009), The Lost Child (2015), A View of the Empire at Sunset (2018) and Another Man in the Street (2025). His non-fiction: The European Tribe (1987), The Atlantic Sound (2000), A New World Order (2001), Foreigners (2007), and Colour Me English (2011). He is the editor of two anthologies: Extravagant Strangers: A Literature of Belonging (1997) and The Right Set: An Anthology of Writing on Tennis (1999). His work has been translated into over a dozen languages.
He was named Sunday Times Young Writer of the Year in 1992 and was on the 1993 Granta list of Best of Young British Writers. His literary awards include the Martin Luther King Memorial Prize, a Guggenheim Fellowship, a British Council Fellowship, a Lannan Foundation Fellowship, and Britain's oldest literary award, the James Tait Black Memorial Prize, for Crossing the River which was also shortlisted for the 1993 Booker Prize. A Distant Shore was longlisted for the 2003 Booker Prize, and won the 2004 Commonwealth Writers Prize; Dancing in the Dark won the 2006 PEN/Beyond the Margins Award. He is a Fellow of the Royal Society of Literature and the Royal Society of the Arts, and recipient of the 2013 Anthony N. Sabga Caribbean Award for Excellence.
He has taught at universities in Ghana, Sweden, Singapore, Barbados, India, and the United States, and in 1999 was the University of the West Indies Humanities Scholar of the Year. In 2002-3 he was a Fellow at the Centre for Scholars and Writers at the New York Public Library. Formerly Henry R. Luce Professor of Migration and Social Order at Columbia University, he is presently Professor of English at Yale University. He is an Honorary Fellow of The Queen's College, Oxford University.
A regular contributor to The Guardian and The New Republic, his most recent book is, Another Man in the Street.
(taken from carylphillips.com official web site)
Ratings & Reviews
Friends & Following
Create a free account to discover what your friends think of this book!
Community Reviews
Displaying 1 - 7 of 7 reviews
Want to read
August 2, 2020“Introduction: The Burden of Race” — this is very good but dated given recent events in America. It’s missing a certain dimension too.
August 9, 2015
A study in cultural and racial distinctions affecting the Caribbean immigrant to the UK and the one to the US. Born in St. Kitts and now a Yale professor with dual citizenship, he tells us that on one hand in Britain he could never be considered essentially British whereas in America he is more easily assimilated into American society albeit as African American. I especially enjoyed his essay on Marvin Gaye and his dismissal of VS Naipaul as an author ashamed of his homeland, T&T. Interesting perspectives from a man with a three-dimensional past: UK, Caribbean and now so-called African-American. Good read!
January 6, 2018
Each essay is concise yet holds within them a wealth of new information for me. Even on subjects or people I thought I'd long knew. Made me rethink the value of the essay and the kinds of work that I'd love to write sometime in the future.
June 25, 2022
i'm so glad i've found caryl phillips work...look forward to many more rich encounters with his free ranging mind and clear and inviting prose.
Read
June 5, 2013Born in St. Kitts and raised in the UK, author and playwright Caryl Phillips, now a Yale professor, follows American, African, Caribbean, and British trails to arrive at new insights into cultural encounters.
June 5, 2007
Phillips is a fluid essayist and his range is versatile and controlled.
March 10, 2012
A superb collection of essays that I came upon quite by chance on a bookstall in a market in Hampshire. The essay on Marvin Gaye is really moving.
Displaying 1 - 7 of 7 reviews