“F alling Night is startlingly real as it recalls the dangerously shifting sands of tribal alliances, western political agendas, and brutality that have characterised Africa’s recent wars. Yet Clarke dares to suggest that inside the worst that the world has to offer, love wins.” Dr. Nik Ripken, author of The Insanity of God
Alan Swales is no hero and no saint. Bored by a successful, yet dull life in Britain with his girlfriend, Mandy, he decides to become an aid worker in Africa to experience adventure and acquire anecdotes to impress his mates. Plunged into a civil war waged by vicious warlords and their child soldiers, Alan has to make unexpected choices about the direction of his life as well as his relationship with Mandy. As the situation deteriorates, he hears rumours of a hidden genocide, which leads him on a dangerous quest for evidence in the face of almost insurmountable obstacles.
A haunting novel based in part on the author's personal experiences in a war zone in Africa in the 1990s:
"The loud drone of the Cessna's engines prevented conversation, and Alan felt a strange detachment from the pilot sitting in front of him, his imagined ferryman taking him across the River Styx. He tried to forget his situation by studying the unfolding landscape below, only to see civilisation ebb away as the clusters of buildings, the thin ribbons of roads, and the farmlands became ever sparser, giving away to grassy wilderness dotted with trees. A relentless sun burned him through the Perspex window that had become hot to the touch. The sun was also scorching the ground below - a vast, waterless plain interrupted by occasional inselbergs cloaked with forest. It was a magnificent landscape, and yet there was a forbidding harshness to the immensity of it, a dry loneliness that welcomed nobody. A far cry from the soft, rolling green hills of Yorkshire."
When the reader first meets Alan, the main character, he is a typical English lad with a deadbeat relationship and a boring job. He enjoys trips to the pub and football with his mates. After spontaneously signing up to do aid-work, he leaves home and is suddenly confronted with his place in the world. Amid the visits with locals, administrative tasks, and bookkeeping for the humanitarian aid organisation, Alan (along with the reader) slowly come to realise that there are unspoken horrors taking place around him.
The author describes post-colonialism Africa and the associated political struggles while also taking a critical look at the discourse around social class in the United Kingdom. The story is beautifully written, with an eloquence that contrasts the destitution and adversity of a war zone. This novel isn't scary like a story by Stephen King might be: the horror slowly creeps up on you and forms a knot in your stomach as you turn the pages in sheer desperation to find out what happens next. I would highly recommend anyone read it, especially with the current situation in the DRC, which is given barely any media coverage. The story is ever-relevant and goes far beyond describing aid work in a war-torn country, rather it grapples with finding meaning even in the face of suffering and evil.
This is one of the first aid worker novels written by an aid worker and published by a professional publishing house, contrasting with the many memoirs that other aid workers have published.
Falling Night by Phil Clarke is a powerful and horrifying Christian novel set in the 1990’s. It is a fictional account but grounded in fact as it is based on the author’s experiences in Africa during the 1990’s. Bored of life in sleepy Yorkshire, lead character Alan, volunteers to help in the fictional war-torn country of Kugombwala. We follow him as he encounters some very different experiences. The country is unstable and corrupt. Aid workers need to be very aware of their surroundings. They meet some good souls along the way but also encounter pure evil. Under Phil Clarke’s masterful pen, the hot landscape, fear and corruption come alive. We see terrible scenes of genocide, child soldiers and pure evil along the way as civil war erupts. Local tribes think nothing of massacring their neighbours. Life is not sacred but cheap. Alan is naïve at first. We see his character development and understanding of the situation as the novel progresses. We also witness Alan becoming a Christian. Too many ‘coincidences’ happen until Alan has an epiphany “God had turned His face towards him.” We see the power of prayer. God always hears our desperate pleas. “Lord, deliver us from evil, he prayed.” There are times in Africa when Alan senses the presence of evil. Life is more than we can see. Life is a spiritual battle between the forces of good and evil. As Alan grows in his faith, he makes the following observations. “We called ourselves Christians … upstanding church goers whose response to knowing God was to seek His blessing rather than be His obedient servants.” Sometimes we are comfortable Christians but God wants to shake us up. We should be uncomfortable Christians, getting angry and upset over what angers and upsets God. God doesn’t call us to be armchair Christians. He wants us to help right the wrongs and to listen to His call to ‘go’ or to ‘stay.’ God calls us to specific tasks that only we can do. “Why had God chosen him, Alan the unsuitable … to do this particular task?” God does not call the equipped but He equips the called. We are reminded that, like Esther, we are called for such a time as this. There are some discussions within the book as to why God does not step in and stop evil – but then people would not have free choice. We are reminded that everyone is a child of God and He loves us. This is powerfully put by: “It is only the Holy Spirit Who is here grieving – not only over the suffering … but also in sadness over what the killers have done… God loves them too.” Falling Night was not a pleasant read but a powerful and necessary one. It should shake us up and make us feel uncomfortable. I can highly recommend it. I received a free copy from the author. A favourable review was not required. All opinions are my own.
My thoughts Falling Night by Phil Clarke takes readers on a gripping journey through the life of a man who, far from being a hero or a saint, seeks an escape from the monotony of his British existence. The protagonist, Alan Swales, opts for a daring change by becoming an aid worker in war-torn Africa, driven by a thirst for adventure and the desire to accumulate stories that would impress his peers. The narrative unfolds against the backdrop of a brutal civil war, where warlords and their child soldiers wreak havoc. Clarke skillfully paints a vivid picture of the chaos and danger that Alan willingly plunges himself into. The author doesn’t shy away from portraying the harsh realities of conflict, highlighting the brutality faced by those caught in the crossfire.As the story progresses, the focus shifts not only to Alan’s survival in this hostile environment but also to the unexpected choices he must make concerning his own life and his relationship with Mandy, his girlfriend back in Britain. Clarke intricately weaves the complexities of love, personal growth, and the impact of one’s choices into the fabric of a war-torn narrative, adding depth and emotional resonance to the protagonist’s journey. The tension escalates as Alan stumbles upon rumors of a hidden genocide, thrusting him into a perilous quest for evidence. The author masterfully crafts a narrative that keeps readers on the edge of their seats, navigating through a maze of suspense and danger. The obstacles Alan faces appear insurmountable, intensifying the stakes and drawing readers deeper into the narrative. One of the novel’s strengths lies in its portrayal of the moral dilemmas faced by the characters. Alan’s quest for evidence becomes a moral imperative as he confronts the atrocities unfolding around him. Clarke prompts readers to ponder the consequences of inaction in the face of injustice, making “Falling Night” not only a gripping adventure but also a thought-provoking exploration of human morality. The pacing of the novel is well-executed, with Clarke skillfully balancing action-packed sequences and introspective moments. The character development is robust, and readers witness the transformation of Alan from a seemingly self-centered individual to someone compelled to confront the harsh realities of the world. In conclusion, Falling Night is a compelling work that seamlessly blends elements of adventure, romance, and moral introspection. Writer Phil Clarke delivers a thought-provoking narrative set against the backdrop of a war-ravaged Africa, making it a must-read for those seeking a story that not only entertains but also prompts reflection on the complexities of human nature and the choices we make in the face of adversity. ⭐️⭐️⭐️⭐️⭐️💥💥💥💥💥🔥🔥🔥🔥🔥
Let me cut to the chase; please seriously consider reading Falling Night. I will explain why.
The author Philip Clarke held voluntary and paid positions with Medicine Sans Frontiers and other organisations in Africa before becoming part of a team that investigated war crimes. He has used his extensive knowledge to write this fictional tale of an aid worker in a fictional African country during a civil war sometime in the 1990’s.
The story is written in the third person but almost exclusively the action follows the protagonist Alan Swales and everything is seen through his eyes. Alan is a relatively uncomplicated young man, looking for something different in his life and this naivety helps us to see everything clearly. As the plot develops he quickly learns that many things are not as he expected; some aid team members have motivations other than altruism, international bodies including the United Nations have their own agendas, many in the local population see western aid organisations as an excellent source of income and worst of all, multi-national companies (and possibly countries) are prepared to ignore atrocities and genocide to obtain minerals and wealth.
Undoubtedly Falling Night will cause you to think about and possibly change your views on charitable donations. Like most things in life, supporting those in distant countries less well off than ourselves cannot be simple and it probably never will be. As donors (individual or national) our choices are generally to do nothing or to follow our consciences to support through flawed systems.
While Alan is still coming to terms with these mental challenges he realises that he is committed to help the local people. In a side story Alan also witnesses the comfort and support that faith can have in challenging situations. I thought this issue was particularly well written by Phil Clarke, who is now a church elder.
As the national situation worsens Alan is drawn into a difficult situation which steels his determination to do all he can; leading to a tense and sometimes brutal ending.
I found Falling Night entertaining, educating, thought provoking, inspiring, challenging, tense, humorous and at times, tough to take. It is an undoubted five star read.
"Falling Night" isn't the kind of book I usually read, it deals with an aid worker as he experiences the horrors of a civil war and then genocide, in a fictional African country. I tend to stay away from heavy topics and read frivolously for pure pleasure. Hello, classical mystery novel! I am pleased to report that I did take pleasure in reading this book, even though it was heavy. Win/win! In the book, Phil Clarke makes an intriguing argument that the "See no/Hear no/Speak no Evil" monkey is purposely making himself ignorant towards all of the awfulness in the world for a variety of reasons -- and of course, I had to see myself in that... refusing to delve into the yucky topics, as I do.
In any event, this book was very well organised, taking the reader smoothly from moment to moment, to different character's perspectives, as well as into the past, without jolting or confusion. The writing style feels choppy at first and was a bit of adjustment. But once adjusted, the read was smooth and the choppy style reveals itself to be just that, Style, which makes the book interesting, not status-quo.
As I said, the subject matters is heavy and there are moments that were difficult for me to read - but the books still manages to smack of something sweet and is well woven with Godly truths and perspectives to uplift, as much as it reveals the world's seedy underbelly.
I am the kind of person who is very curious about other cultures, travel, and different/strange life experiences. This book absolutely took me on a journey into the unknown, that I probably will never get to experience myself (and probably don't want to). A rare treat! I felt like I was with the main character, Alan; I could almost feel the heat and hear the mosquitos.
A MUST read for anyone going into aid work. A should read for anyone interested in God and the World. Great book - says an overly critical reader.
Phil Clarke's debut novel, Falling Night, offers a gripping and thought-provoking narrative set against the backdrop of a fictional African civil war. Drawing from his extensive experience as a humanitarian aid worker and war crimes investigator, Clarke crafts a story that delves deep into the complexities of conflict, morality, and personal transformation.
The protagonist, Alan Swales, embarks on a journey to Africa seeking adventure and purpose. However, he is soon thrust into the harsh realities of war, encountering child soldiers, political corruption, and the devastating effects of tribal conflicts. As Alan grapples with these challenges, he faces profound moral dilemmas that force him to confront his beliefs and values.
What makes Falling Night particularly resonant for me is how it mirrors the realities I have faced working as a humanitarian in conflict zones such as South Sudan. I have encountered armed soldiers, navigated bureaucratic corruption. Clarke’s portrayal of the aid worker’s struggle to maintain integrity and compassion amidst such pressures is not only authentic but deeply relatable.
Clarke’s depiction of the humanitarian landscape is both realistic and unflinching. The novel sheds light on the complexities faced by aid workers, including bureaucratic obstacles, ethical quandaries, and the emotional toll of witnessing human suffering. Through Alan’s journey, readers are offered a window into the often-overlooked aspects of international aid and the individuals who dedicate their lives to it.
While Falling Night is a work of fiction, it is deeply rooted in Clarke’s personal experiences and observations. The authenticity of the narrative is evident, providing readers with a compelling and immersive experience. The novel’s exploration of themes such as faith, redemption, and the human capacity for both cruelty and compassion adds depth and resonance to the story.
In conclusion, Falling Night is a powerful and evocative novel that challenges readers to reflect on the complexities of conflict and the moral choices individuals face in times of crisis. Clarke’s masterful storytelling and insightful commentary make this book a must-read for those interested in contemporary fiction that tackles pressing global issues. For anyone working in humanitarian fields, especially in conflict zones, this novel feels like a mirror to the difficult choices, immense courage, and resilience required in the line of service.
Phil Clarke’s novel Falling Night is a brutal honest account of a humanitarian aid worker’s life in the horn of Africa. Though delivered in fictional tone, the novel is an extended version of a memoir of an international aid worker. The hero of the book is Alan Swales from England – a young man with a girlfriend and good lifestyle. However to break the monotony of his life from a golden cage, his quest for something unusual and adventure brings him in the war-torn Kugombwala (fictional African country).
He works as an administrator in a hospital looking after starving kids. MedRelief was a sort of NGO, working in close alliance with UN peacekeepers to feed starving children. The African country was into war due to many reasons…one being divided into many tribals. Right since his first day there Alan founds himself in an inextricable mess and many stark realities of aid companies befuddled him.
He struggled with his co-workers internally and warlords and tribalism externally. The book paints a dark yet real picture of Africa and its never-ending stark reality. Phil’s experience and observation of darkness of Africa is heartfelt and is a matter of concern for developed countries that send their mercenaries and UN force and NGOs for help but in real that is just a trap for natives, well the real motive is to mint money.
The book binds struggles and chaos of an aid worker caught in the dilemma of political and moral mess. Anyone who enjoys dark stories from Africa must look at it. Falling Night by Phil Clarke is based on true events yet highly entertaining and insightful about a country that is disturbed by genocide, political turmoil, violence, and civil war.
Main character Alan Swales has no idea what he is in for as he lands in Kugombwala. It’s hard to conjure a more unprepared person to go to an area of the world where the people are struggling for survival in the face of famine, disease, and war. Alan is not a very likable character as he sets out to save the world with the aim to arrive back in England a hero. But as he experiences the reality of life for these people he grows into not only a caring person, but one who will sacrifice for others. The novel spends a good bit of time exploring the plight of the people in the face of do-gooder NGOs, politicized UN agencies, corrupt governments, and ancient tribal feuds/vendettas. Clarke does not hold back on the atrocities and deprivations that occurred. And while the book is set in the 1990s, I think it is very relevant for today’s Western reader. Alan’s spiritual growth is prompted by a message given to him in the Nairobi airport on his second stint in Africa, although the firm atheist has the beginnings of doubts and questions long before that. I liked how the author used the life and convictions of other believers to persuade Alan that there was more than just acknowledging that God does exist. Falling Night is not an easy read by any means. It describes unspeakable atrocities, although not in a gratuitous way. But it will definitely make you think about personal perspectives and the wisdom of Western thought in the face of real life in a very different culture. And it portrays living for Christ in very concrete ways in the face of danger and persecution.
Recommended.
Audience: adults.
(I purchased the ebook from Amazon. All opinions expressed are mine alone.)
Falling Night is a catching novel that I found hard to lay down once I started reading. But it is also much more than an action packed novel: it is a vivid description of the dilemmas of aid work in general and aid work in troubled countries in particular.
While many aid workers do live in the midst of the local populations, others - particularly in countries marked by violence - end up separated from the people they are there to help and ignorant of many of the things going on around them. They live in a bubble with a lifestyle worlds removed from the locals, partly to be protected from possible death in the course of doing their work, partly as a way to escape the reality of moving from war zone to war zone as professional aid workers. An understandable bubble, but maybe not helpful in the big picture.
Falling Night highlights the real risk that those who have come to help the most vulnerable may at times end up being used by the ones in power. It zooms in on the human tendency to believe those who appear most similar to ourselves - such as people with a Western education - while discounting those whose culture and thinking are clearly different to our own. It presents moral dilemmas in many different shapes and sizes and gives an insight into the life of an aid worker in a war zone as I have never read it before, though I have heard similar accounts from former colleagues in aid work.
Read Falling Night if you want to be entertained. But also read Falling Night if you want a fresh insight into some of the dilemmas of aid work in conflict zones - which at the core are dilemmas of humankind and of being human.
3.5 - A flawed novel that still hit close to home; I give it 5 stars for the concept but 3 for execution. The characters are largely unlikeable, the dialogue sometimes unrealistic, the action doesn’t arrive until the final chapters, and the theology is poor to say the least. And yet, this novel offered something I’ve rarely seen in fiction, which is a raw, honest portrayal of the humanitarian aid world through a somewhat Christian lens.
Interweaving Western political agendas, tribal dynamics, death and suffering, and the protagonist’s slow journey toward faith, Falling Night tackles big questions based on the author’s firsthand experiences with MSF in Africa during the 1990s (think Nik Ripken's Insanity of God). This is the only fiction book I’ve underlined not for its literary merit but because I recognized myself in it. As a former aid worker, I found lines about numbness, survivor’s guilt, and the strange paradox of feeling most alive in dangerous places wildly familiar:
“He’d left something of himself behind. Was it that part of him able to experience intense joy?”
“Alan had become so accustomed to waking to the noise of war that there was now something abnormal about waking up to silence.”
The novel captures the dissonance of aid work: the exhaustion, the beauty, the moral complexity, and the ache of trying to do good in a deeply broken world. I didn’t love the characters or the storyline as much as I hoped to (and I reallyyyyy did want to), but this book still meant something to me and I’m grateful it exists.
Revue du livre « Falling Night » de Phil Clarke Présentée comme une fiction, cette histoire est l’image d’une terrible réalité vécue par un travailleur humanitaire en Afrique Equatoriale. Le livre est très fort et perturbant, puisqu’il a pour cadre un pays en guerre, mais une guerre cachée, où la loi du silence permet toutes les exactions. Parti avec l’idée de soulager des souffrances, la démarche du travailleur humanitaire nous fait découvrir tous ses doutes, ses peurs et comment il va trouver la force de persister, malgré les conséquences que ses choix ont sur sa vie personnelle. L’impunité apparente de responsables de crimes de guerre, la déshumanisation des enfants soldats, le silence d’organisations internationales sont quelques uns des thèmes abordés qui ne peuvent que nous questionner sur l’apparente inexorabilité du cycle de la violence, où la violence engendre toujours plus de violences. Que quelques personnes prennent le risque d’essayer d’enrayer ces malédictions nous fait trembler pour eux.
Note: This is *not* an easy book to read and is only recommended if you have a strong stomach. It is, however, one of those books which is worth it: both powerful and challenging at the same time, whilst avoiding the triteness which you find in some Christian stories. Another reviewer mentioned it is, in fact based on the author’s own experiences as an aid worker in Africa in the 1990s.
As such, it overturns everything you might have thought about aid workers and the real nature of what they often see or do. The novel deftly explores the nature of corruption, both in governments at home and abroad, as well as the internal politics of aid organizations. Alan Swales, the protagonist did not become an Aid Worker for noble reasons. He does it because he is bored and wants something to do, and because of course he saw horror stories of a war in Africa and decided in his entitled, naïve, Western way to “help out”.
The reality of government involvement in foreign conflicts as well as many aid agencies soon hits home. Whilst I am sure many aid workers have noble motivations, money, corruption and power on all sides have a lot to do with it. Alan’s internal monologues provide a fascinating insight into events and why, perhaps we are only a few steps away from what is happening in “third world” countries.
The protagonist’s character arc in this story is fascinating, although not complete (I think there is a sequel). A self-centred person who goes abroad in search of meaning and purpose to fil the void in his life. Once Alan accepts there is a God and decides to follow him his life does not become easier. Instead, he gets caught up in a terrible atrocity which the international governments won’t recognize because the war is meant to be over.
Perhaps Alan’s purpose all along is to shed a light on evil and he could only do that by surviving evil. The question becomes not “why does God permit evil” but “how will we respond to this?” I was sent a copy of this title from the author and their representative. This did not influence my opinions which are freely expressed and my own.
Read it in single sitting (albeit a longish one). A beautifully fictionalized account of the author's own East Africa experiences - you can almost smell the jungle foliage and feel the bullets fly - Falling Night is as penetrating and confrontational as it is darkly informative. With some vivid echoes of 'Heart of Darkness', Clarke delves into the complexities of Africa's history, tribal politics, and post-colonial struggles. One of the central themes is the legacy of violence, corruption, injustice, and its enduring impact on local people. Another is the secret personal tragedy that connects the protagonist to his at times life threatening circumstances. Alan Swales personifies post-modern man's dualism as both victim/perpetrator, problem solver/creator, and coward/redeemer. What's not to like?!
An amazing read that introduces a comic character in the mould of Alan Partridge, an Everyman who becomes an aid worker. The author can apparently vouchsafe that everything in the book actually happened either to himself or his direct colleagues. Only a few aid workers have actually written novels, and here there are astonishing insights into the worlds of international aid and NGOs, with jaw-dropping details. The book speaks to the politics, the fun, the wonder of aid work, and then finally the carnage that takes place when civil war and strife erupts into the horror of genocide (which takes place offstage). The destruction haunts the protagonist to his very soul. This is a unique, funny, tragic and finally redeeming tale which should be read widely, as a sign of the times.
This isn't a romanticized portrayal of aid work. It's a wake-up call, a necessary conversation about the challenges faced by those trying to help in the most desperate situations.
But "Falling Night" isn't all darkness. Alan's journey showcases the strength and resilience it takes to persevere in the face of despair. While the faith aspect might not resonate with everyone, it adds a layer of depth to his character development.
Call to Action: Have you read any books that challenge our perception of humanitarian work? Share your recommendations in the comments section of my blog! https://vpgoyal.blogspot.com/2024/02/...
A really wonderful book that starts off with mild comedy and turns into an adventure taking the reader through the worlds of travel in Africa, aid work, development and some of the politics, as well as the spiritual and personal development of the hero. A fairly unique book written from the point of view of an eye witness, and the book is quite an eye-opener too. Entertaining as well as informative.
Falling Night is a fictional book yet based on actual experiences by the author which makes the book a gripping read. It tells the story of Alan Swales, a somewhat reluctant aid worker who finds himself meshed in horrific circumstances. All of the characters are so true to life, like people that you may have met in life before. The smells, sounds and scenes of Africa come alive as you read and one almost feels as if he was there with Alan. It is an eye-opener to true events in our world. I look forward to the author's next book!
Great first novel. After a slow start this became a real page turner once the protagonist got to Africa. The author clearly knows the world of the NGO aid worker in Africa inside out and raises some real issues in the arc of the story. Some of the situations the characters in the novel got themselves into were presumably ones he was familiar with in real life. Looking forward to the next novel from Phil Clarke.
A tough book to read, taking away any preconceived ideas we may have about what goes on/has been allowed to go on in these countries. Definitely makes you think, well worth reading, will raise a lot of questions in your mind.
Wow. I read dozens and dozens of paper backs every year. Phil Clarke is right up there with Bernard Cornwell, Robert Ludlum, Clive Cussler, James Follett, Alexander Fullerton etc etc. Please please please, don't take 8 years for the sequal. You promised less than one year. Steve David
A great read! I could not put it down and can hardly wait for the next book. Phil Clarke's writing makes every scene and character come to life, which - given the story and subject matter of the book - makes for a quite powerful read. An absolute must read.