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Sunlight on Sweet Water
Librarian note: An alternative cover for this ISBN can be found here.
This book brings back to life in rich detail the Afro-Guyanese village community of the author's childhood, where there were old people who had been slaves as children and Africa was not forgotten. It was a time when children did not have open access to the world of adults and childhood had not yet disappeared, and perhaps for this reason, the men and women who pass through these stories have a mystery and singularity that are as unforgettable for the reader as they were for the child.
This book brings back to life in rich detail the Afro-Guyanese village community of the author's childhood, where there were old people who had been slaves as children and Africa was not forgotten. It was a time when children did not have open access to the world of adults and childhood had not yet disappeared, and perhaps for this reason, the men and women who pass through these stories have a mystery and singularity that are as unforgettable for the reader as they were for the child.
- GenresNonfictionMemoir
139 pages, Paperback
First published January 1, 1994
52 people want to read
About the author
Beryl Gilroy
25 books39 followersBeryl Agatha Gilroy (née Answick) (30 August 1924 – 4 April 2001) was a novelist and teacher, and "one of Britain's most significant post-war Caribbean migrants". Born in what was then British Guiana (now Guyana), she moved in the 1950s to the United Kingdom, where she became the first black headteacher in London. She was the mother of academic Paul Gilroy.
Gilroy's creative writing began in childhood, as a teacher for children and then in the 1960s when she began writing what was later published by Peepal Tree Press as In Praise of Love and Children. Between 1970 and 1975 she wrote the pioneering children’s series Nippers, which contain probably the first reflection of the Black British presence in UK writing for children.
It was not until 1986 that her first novel, the award-winning Frangipani House was published (Heinemann). It won a GLC Creative Writing Prize in 1982. Set in an old person’s home in Guyana, it reflects one of her professional concerns: the position of ethnic minority elders and her persistent emphasis on the drive for human freedom. Boy Sandwich (Heinemann) was published in 1989, followed by Stedman and Joanna: A Love in Bondage (Vantage, 1991), and a collection of poems, Echoes and Voices (Vantage, 1991). Then came Sunlight and Sweet Water (Peepal Tree, 1994), Gather the Faces, In Praise of Love and Children and Inkle and Yarico (all Peepal Tree, 1994). Her last novel, The Green Grass Tango (Peepal Tree) was published in 2001, sadly after Beryl Gilroy’s death in April of that year.
Gilroy's early work examined the impact of life in Britain on West Indian families and her later work explored issues of African and Caribbean diaspora and slavery.
In 1998, a collection of her non-fiction writing, entitled Leaves in the Wind, came out from Mango Publishing. It included her lectures, notes, essays, dissertations and personal reviews.
(from Wikipedia)
Gilroy's creative writing began in childhood, as a teacher for children and then in the 1960s when she began writing what was later published by Peepal Tree Press as In Praise of Love and Children. Between 1970 and 1975 she wrote the pioneering children’s series Nippers, which contain probably the first reflection of the Black British presence in UK writing for children.
It was not until 1986 that her first novel, the award-winning Frangipani House was published (Heinemann). It won a GLC Creative Writing Prize in 1982. Set in an old person’s home in Guyana, it reflects one of her professional concerns: the position of ethnic minority elders and her persistent emphasis on the drive for human freedom. Boy Sandwich (Heinemann) was published in 1989, followed by Stedman and Joanna: A Love in Bondage (Vantage, 1991), and a collection of poems, Echoes and Voices (Vantage, 1991). Then came Sunlight and Sweet Water (Peepal Tree, 1994), Gather the Faces, In Praise of Love and Children and Inkle and Yarico (all Peepal Tree, 1994). Her last novel, The Green Grass Tango (Peepal Tree) was published in 2001, sadly after Beryl Gilroy’s death in April of that year.
Gilroy's early work examined the impact of life in Britain on West Indian families and her later work explored issues of African and Caribbean diaspora and slavery.
In 1998, a collection of her non-fiction writing, entitled Leaves in the Wind, came out from Mango Publishing. It included her lectures, notes, essays, dissertations and personal reviews.
(from Wikipedia)
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Displaying 1 - 2 of 2 reviews
June 15, 2021
A lovely little book recalling memories of village life growing up on the Caribbean island of Guyana. Characters, events, funny and poignant snippets.....
December 20, 2015
I don't know why this was published. It's not a collection of short stories, as I had assumed. Neither is it a memoir. It's just a collection of short pieces about the author's memories of her childhood. It doesn't really add up to very much. It's a pity, as Gilroy has previously written a few quite good novels.
Displaying 1 - 2 of 2 reviews