Rating: 4.25
As a reader who enjoys variety, I've noticed authors of mystery tend to repeat plots with character series. Detective authors use 'missing person', crime uses violent murder/racism. Silva's Allon series, uses stolen art masterpieces connected to billionaires who money launder. Nearly every operation involves recruitment of the billionaire's girlfriend as the 'key' to unlock his deception. As the saying goes, 'if it ain't broke, don't fix it', so use of similar plots becomes the mainstay. But in my humble opinion this adds a high level of predictability which takes away from the 'mystery' component.
Its for this reason I choose literary fiction over mystery; but writing is art and individual tastes vary.
This being one of the earlier books in the series, we find Allon has 'retired' from working at Israeli intelligence to focus on art restoration, a skill he mastered years ago and one that pays well. He's living with his wife, Chiara, in a cabin in Cornwall, UK. When he learns an art collector he knows was murdered and a precious Rembrandt was stolen, Graham Seymour, head of MI5 approaches him for help. Allon is loyal to friends and when horrific acts of violence and stolen masterpieces are involved, he will consult with his friend and former Director of 'The Office' and begin to play chess with the mastermind.
Similar to other plots, we learn that there's a link to Martin Landessman, who's father had ties to the Nazi holocaust. As a result, Martin decided to use the inheritance and build a legitimate empire which included creation of an organization to 'right the wrong'. The press coins the nickname 'Saint Martin' when referring to fund raising events and his empire. We then learn of an exclusive interview done by Zoe Reed, a sexy high powered investigative journalist employed by a British newspaper. Suspicious how she got the interview, Allon makes her a target for the 'cheese 'to bait the mouse.
The cast of characters include the notorious art dealer, Julian Isherwood and others in his stolen art network along with Allon's team of crackerjack spies. As the plot plays out, we learn St. Martin's business empire included acquisition of a Chinese company connected to a nuclear material centrifuge manufacturer raising suspicion. In order to identify the depth of Landessman's network, Allon targets Zoe as the mole and leverages knowledge of their relationship to recruit.
Bit by bit, we learn of the tragedy involved with the stolen Rembrandt and how it was connected to Hitler's genocide and theft. Once Zoe learns Saint Martin is the furthest thing from legit, she's eager to undo the billions he's generating from sneaking nuclear components to Iran.
Operation Masterpiece goes into full swing and not long after, Martin's computer and phone are being tracked while Ms. Reed's involvement pays dividends.
There's no getting around Silva's remarkable research and details is immersive as is his mastery of plot and pacing. My only issue is the repetition of the same plot he's used in nearly every one of the books. I plan to read one more, but will no doubt quit 'while I'm ahead'.
For those who enjoy carefully plotted out spy mysteries, dabs of acerbic humor and premise that involved art masterpieces, you'll enjoy this, rest assured