Stuart Neville's The House of Ashes is a harrowingly chilling gothic psychological drama flavoured with the supernatural, with dual timelines set in Northern Ireland. Sara met her husband, Northern Irish architect, Damien Keane, at university, he appeared to be the 'perfect' man, charismatic, caring and loving, his true nature only surfacing after the pair get married, with Sara working in child protection. Sara had ignored warnings about Damien, and his jealousy, controlling and manipulative behaviour have her isolated from her friends and family, leading to her undergoing a mental health crisis. With the intention of having a 'fresh start', Damien and Sara move to a remote farmhouse secured for them by Damien's violent and cruel ex-con father, Francie. Sara has no job, no car and no-one she knows in the local community.
They are visited by a distraught elderly woman, Mary Jackson, who claims that the farmhouse is her home. Mary is returned to her care home, but Sara's curiosity has been triggered, it has her visiting Mary, the farmhouse had indeed been her home, but had been deliberately set on fire, resulting in its sale. We are given a dual timeline as Sara invests in some heavy and detailed research that indicates that many years ago a nightmare set of events occurred, a history and mystery that seems to be embedded within the farmhouse. There are points of connection between Sara and the haunting past, including the scenario she finds herself in with an abusive husband. We become aware of Mary's troubling childhood, living in the basement with her 2 mommies, the children, the ghosts, and the electrician who becomes aware of the personal circumstances that Sara is mired in.
This is a deeply disturbing and horrifying story by Neville, yet he manages to make it simultaneously a compulsive read, the mark of a talented writer. This is a eerie unsettling horrorof a novel, of 'families', of odious men, nasty pieces of work who abuse women in numerous emotionally distressing ways. The courage and resilience of the women is the highlight for me in what can otherwise feel like an intensely depressing and despairing narrative. Many thanks to the publisher for an ARC.