Author Lambdin continues to provide good entertainment for Age of Sail action fans. The author is American but he's writing from the British point of view. That's no problem unless you're looking for British spellings for the words that are used in both dialects but spelled differently on each side of the pond. I got used to it quite soon. He has the ship's routine, the complex gradations of status of the ranks, the terminology, and the ship handling and seamanship totally nailed as do very few of those writing in this genre. His battle scenes are a joy to contemplate (even when the reality is scary to imagine).
Quite a bit of the action takes place on land. That's not all bad, as the plot centers on the siege of Yorktown in the Revolutionary War and a lot of the action really was on land.
Those of us who have visited the site of the Battle of Yorktown and have some notion of the defensive works will appreciate the gritty, bloody description of the siege. Those who think that the preceding naval maneuvering was one where the admirals did very little, and that not very well, and the result was a pivotal battle that changed history will find little to disabuse themselves of their convictions but maybe that's a good thing.
On the other hand, the aftermath of the siege where Midshipman Lewrie is ordered to evacuate soldiers from the siege works and bring them across the river in a makeshift, cobbled together scow is a masterpiece of plot and characterization. In modern sailboat racing, there are two major night races on the Chesapeake, one to St. Mary's City and the other to Solomon's Island. Both start from Annapolis in the evening, finishing the next morning. I've done both of them and had the weather go bad in the middle of the night both times. Even though the races are timed to correspond with a full moon, and electronic navigation is allowed, those were not my favorite maritime memories. The author describes doing that in an open boat with a crew of RN seamen and an equal number of landlubber soldiers with no instruments but a compass, while the boat can't go where the midshipman wants to take it because that causes it to leak more and lose directional control. Everything's pitch black until the next lightning flash. They eventually fetch up on a neck of land that's practically an island. There are lots of places like that on the Eastern Shore of Maryland and Virginia. It's a priceless sequence. It's OK that their escape from the siege is a little contrived, I accepted it as the best part of the plot.