This edition features a leather binding on the spine and corners, adorned with gold leaf printing on the rounded spine. Additional customizations are available upon request, such as full leather binding, gold screen printing on the cover, colored leather options, or custom book colors. Reprinted in 2019 from the original edition published many years ago [1919], this book is presented in black and white with a sewn binding to ensure durability. It is printed on high-quality, acid-free, natural shade paper, resized to meet current standards, and professionally processed to maintain the integrity of the original content. Given the age of the original texts, each page has been meticulously processed to enhance readability. However, some pages may still have minor issues such as blurring, missing text, or black spots. If the original was part of a multi-volume set, please note that this reprint is a single volume. We hope you understand these limitations and appreciate our efforts to preserve this valuable piece of literary history. We believe this book will be of great interest to readers keen on exploring our rich cultural heritage and are pleased to bring it back to the shelves. We welcome your feedback and suggestions. French, 240. Full leather binding is available for an additional $25 beyond the price of the standard leather-bound edition. {Folio edition also available.} Complete La défense de Tartufe; extases, remords, visions, prières, poèmes et méditations d'un juif converti 1919 [Leather Bound] by Jacob, Max,
After spending his childhood in Quimper, Brittany, France, he enrolled in the Paris Colonial School, which he left in 1897 for an artistic career. He was one of the first friends Pablo Picasso made in Paris. They met in the summer of 1901, and it was Jacob who helped the young artist learn French. Later, on the Boulevard Voltaire, he shared a room with Picasso, who remained a lifelong friend (and was included in his artwork Three Musicians). Jacob introduced him to Guillaume Apollinaire, who in turn introduced Picasso to Georges Braque. He would become close friends with Jean Cocteau, Jean Hugo, Christopher Wood and Amedeo Modigliani, who painted his portrait in 1916. He also befriended and encouraged the artist Romanin, otherwise known as French politician and future Resistance leader Jean Moulin. Moulin's famous nom de guerre Max is presumed to be selected in honor of Jacob. Having moved outside of Paris in May, 1936, to settle in Saint-Benoît-sur-Loire, Loiret, Max Jacob was arrested on 24 February 1944 by the Gestapo, and interned at Orléans prison, (prisoner #15872). Jewish by birth, Jacob's brother Gaston had been previously arrested in January, 1944, deported to Auschwitz concentration camp, and gassed upon arrival with his sister Myrthe-Lea; her husband also deported and murdered by the Nazis. Following his incarceration at Orléans, Max was then transferred to Drancy internment camp from where he was to be transported in the next convoy to Auschwitz in Germany. However, said to be suffering from bronchial pneumonia, Max Jacob died in the infirmary of Le Cité de la Muette, a former housing block which served as the internment camp known as Drancy on 5 March.