In this richly-illustrated 224-page book, art curator Christiane Paul reviews the ways in which digital technologies have transformed art, both as tools for artists and as artistic media.
At the end of an introductory chapter, which is followed by three numbered chapters on “Digital Technologies as Tools,” “Digital Technologies as a Medium,” and “Themes in Digital Art,” we read: “Whether digital art will find a permanent home in museums and art institutions or exist in different contexts—supported and presented by a growing number of art-and-technology centers and research-and-development labs—remains to be seen …”
Given that the book was published more than two decades ago, the critical position of digital art in virtually all domains (graphics, sculpture, music, and filmmaking, to cite some examples) has been demonstrated beyond any doubt. Significant advances in artificial intelligence (AI) have been key contributors to changes in the digital art scene, In fact, today’s key question may be whether art that does not use digital assists or digital media will continue to be viable.
After the initial excitement over purely algorithmic art production, it now seems that a human-in-the-loop approach is critical for maintaining the authenticity and emotional resonance of works of art. I won’t rule out, however, the possibility that further advances in AI may allow us to add emotional complexity to algorithmic perfection, without direct human intervention.