When I read Moneyball, I said, wouldn't it be great if all of life, not just baseball, could be run by what the numbers actually tell us, and not our hidebound notions about things. When I began to read this book, I thought it was going to present the dark underbelly of that idea, the be-careful-what-you-wish-for scenario. Because Robert S McNamara was just such a numbers guy. His pet field, control accounting, was all about running things by the numbers. After he helped to run the Army Air Force according to the numbers, he helped to run Ford Motor Company according to the numbers, and then became Kennedy's Secretary of Defense, and tried to run the Vietnam war according to the numbers. And it was a disaster. But it was not the numbers that failed McNamara. It was something else. Hendrickson makes a point of saying that McNamara was not merely the cold, calculating man he was thought to be. He did have a sensitive side; it was just rarely seen. McNamara's problem was that the numbers did tell him the truth about Vietnam. They told him that the war could not be won. But he continued to promote the war. He continued to send thousands of men to their deaths. Why? That isn't easily answered, because McNamara himself has been reluctant to talk about the whole Vietnam thing. He has said that he was being loyal to his president (first Kennedy, and then Johnson) by following his lead. Hendrickson suggests that he lacked moral courage, or that he was addicted to his position of power. One thing Hendrickson is sure of is that McNamara lied. As the book goes on, he returns to the mantra more frequently: He lied, he lied, he lied. Hendrickson juxtaposes internal memos, full of doubts and propositions for scaling back, alongside gung-ho press releases from the same dates, saying, "Everything's going great; we're making progress; we just need to continue."
But psychoanalyzing McNamara is only part of Hendrickson's book. He also writes about the "five lives" of the title, people whose lives were in some way damaged by Vietnam. The first was James C Farley, a soldier who was featured in a Life Magazine photo essay. (All of these very fine pictures are available online.) The tragic mission ended with Captain Farley hunched over a supply chest, crying. Next is Norman Morrison, a Quaker who set himself on fire to protest the war. Then Marlene Kramel, an Army nurse who came through the war emotionally stable, but requiring multiple surgeries for mysterious tumors. Then some members of the Tran family of Vietnam who endured imprisonments and torture. Then an unnamed artist who tried to kill McNamara by throwing him over the rail of the ferry to Martha's Vineyard. These five lives are interesting, and they are all historically informative about life during the Vietnam era, but I thought that to lay all their sufferings at the feet of one man, even if that man were a liar and a moral coward, and even if he was Secretary of Defense, was a bit of a stretch.
Hendrickson writes lyrically, often focusing on details that carry emotional significance for him, and returning to them: the young McNamara studying in his room under a cone of light, Farley bending over his box (and that box labeled "Valuables"), the smell of kerosene on the clothes of Morrison's baby daughter, the "stuff" that Marlene and the other nurses got on them (blood, muck, mud, toxic chemicals). Sometimes he writes fancifully, as when he calls a Vietnam protest winding its way toward the Pentagon a "sea serpent." Sometimes I grew impatient with the more poetic touches, saying in my head, come on, this is history, just lay it out there straight. This is history, but Hendrickson's history is a world of intertwined significance, where a butterfly beats its wings, or a man in an office writes a memo, and a man halfway around the world lays down his head and weeps. Hendrickson is deeply enmeshed in his subject. He spent years researching and interviewing, not just his subjects, but everyone who knew them. The facts he has accumulated are impressive. In the end I think it would have been more powerful if he had rambled and mused a little less, and left some of the details out.