Letter writing was a vital part of Christina Stead's creative life and it grew increasingly important in her last decade. It was how she engaged with the outside world and became the focus of her writing energies. Stead was a vivacious, funny, erudite, expansive and witty correspondent. It was a practice she enjoyed, answering all correspondence she received, including Elizabeth Harrower, Stanley Burnshaw, Dorothy Green and H C Coombs.
Beginning in England in 1973, the letters in Talking into the Typewriter span her return to Australia in 1973 until her death in 1983. Politics, friends and family, literary accolades and achievements, pets and reminiscences are all dissected, canvassed and considered.
Christina Stead (1902–1983) was an Australian writer regarded as one of the twentieth century’s master novelists. Stead spent most of her writing life in Europe and the United States, and her varied residences acted as the settings for a number of her novels. She is best known for The Man Who Loved Children (1940), which was praised by author Jonathan Franzen as a “crazy, gorgeous family novel” and “one of the great literary achievements of the twentieth century.” Stead died in her native Australia in 1983.