Such a funny little book, and a somewhat odd reading experience - the tone of this book was all over the place, and at times the characters behaved so strangely I was left wondering if I'd missed something or skipped an entire page somehow.
- The cover is where the trouble starts, because it looks like a fairly typical British chick-lit/romcom-esque affair, but the prologue is so jarring and interesting that my perception of the story was skewed from the jump. Dasia is a tortured soul, understandably, who experiences moments of levity and self-reflection that feel somehow both rapid and delayed. Seven years had elapsed between her trauma and these self-discoveries, and I find it a bit hard to believe that she had so many epiphanies in just a few months. I suppose the right job at the right company with the right people can really make a difference...? I feel like Dasia going to therapy was such an obvious possibility, but it was never even touched upon.
- Dasia's past was believably difficult, and the traumatic events are so timely that the author must have had some background knowledge of similar tragedies in years past. I also appreciated that she apparently knew enough about Dasia's field to convey authority without completely bombarding readers with technical jargon and etc, though the phrase "dark web" will always make me laugh regardless of subject matter.
A few nitpicks and pet peeves:
- Dasia's brother refers to her as "sis" every other time he addresses her, and as someone with a sibling, this was just so comically unrealistic it took me out of the experience. "Hey" or "you" or "loser" are all far more common.
- It makes my skin crawl when one character places their hand or finger upon the mouth of another character to stop them from talking. This happens between Dasia and the eventual male lead. It didn't result in a DNF, but it came close.
- Dasia's behavior was incredibly odd at times, to the point where I'd understand if people found her off-putting or even deranged. One day she's glaring daggers at her boss; literally the next she's dressed up, wearing makeup, and flirting with him in his office. She runs away screaming from at least one meeting with him and another exec. There are more, almost too many to list.
- Speaking of deranged, the subplot with Emilia was ridiculous and unnecessary, both for plot reasons and for character development reasons. For all reasons, really; can we leave the unhinged spurned woman trope behind in 1974? Thank you!