*I recieved a free copy from the author in exchange for my honest review*
Lydia Brownlow's debut YA sci-fi novel, Vermillion Sunrise is a thoroughly enjoyable adventure that bodes well for her future as an author. Engaging, with a sympathetic cast of characters and thrilling concept (Project Hail Mary meets Lord of The Flies), fans of popular sci-fi YA will adore Vermillion Sunrise.
Please note minor worldbuilding and vague plot spoilers follow.
The synopsis is somewhat misleading (and could probably use a rewrite): this is not a nautical adventure; nor even a pure survival story (though these elements are present). Rather, it is a cross between a sci-fi mystery and a Lord-of-the-Flies type scenario as dozens of teenage inhabitants work to build a stable society alone. But while Lord of The Flies created a horrific scenario, Brownlow paints a more idealistic image that presents a faith in teenagers as capable, intelligent, and independent figures, capable of creating an organized society. While Brownlow doesn't shy away from depicting emotional outbursts, petty fights, foolish romantic entanglement, and violent potential in teens, she also gives them a welcome grace. There are still some trite tropes and questionable choices (the lead romance is predictable, the inhabitant's immediate obsession with the sex issue mere days after they were deposited unconscious on a faraway planet via rocket ship is laughable, and some of the early organizational capabilities of the group (especially after a traumatic event) are a bit too remarkable). Still, Vermillion Sunrise manages to feel original while fitting nicely into a well-established genre. If you like found-family, characters from the same vein as Tris and Katniss, and YA, you're bound to enjoy this read.
A note on prose, which is usually a key weakness for debut novels: It is very standard for a YA author, debut or otherwise. That's largely a good thing: YA is not a genre meant for flowery or masterful prose; it's meant for entertainment. The only point the prose is actively distracting is during a handful of poor/trite similes and metaphors, but these are not detrimental to the novel as a whole.
Brownlow's teenage characters are fairly typical for a dystopian novel: fun, memorable, somewhat basic but with distinct flaws. Leigh herself is by far the most complex character: a traumatized teen desperate to have another chance at societal acceptance, who is intelligent yet regularly makes foolish decisions. Particularly Brownlow portrays the teenage habit of inflating small issues quite well. While it can be frustrating to read; and occasionally anticlimactic as the reader realizes (alongside Leigh) that perhaps she was making a fuss over nothing, it is also refreshing to read. Aside from Leigh, Lex and Olu are the only other characters whose motivations are explored with much depth, but still remain primarily one-note (but fun!) characters.
As for the worldbuilding; it is very restrained. While there are a handful of unique discoveries and threats, the terrain, flora, and fauna of Marjol are largely indistinguishable from Earth's (trees, beaches, saltwater ocean, fish). This choice, while somewhat disappointing, works for the story. It is no fantasy or complex sci-fi novel, and the focus is not on the new world, but on the characters inhabiting it. Aside from a few short mentions of the Lorentz factor and space travel, Brownlow chooses not to dive into the technicalities of "how" of the setting and focuses on the "what now?". Earth's role, and the exact reason Leigh finds herself millions of miles from Earth, is a key mystery of the novel, but Brownlow doesn't focus on the answers themselves; rather, the impact of this mystery on Leigh.
This lack of answers, though, did become frustrating at a point. Brownlow seemed to be making way for some excellent twists regarding Leigh's past and Earth's state, and by the end, the reader is left with almost nothing or unsatisfactory answers. While this was part of the point (particularly for Leigh), it seems that while Brownlow is good at creating tension and mystery, she hasn't managed to deliver a great twist yet. However, not every book needs a dramatic twist to be great, indeed, haphazard twists have ruined many a book in the genre, and Vermillion Sunrise still holds up as a great novel (not just debut novel). There is plenty of room for improvement-in characters, worlbuilding, and prose, but this makes me all the more excited for a hopeful sequel. I will watch Brownlow's career with great interest. 7.5/10, great fun.