Since inescapable doubt can foreshadow past works to how we write such studies now without a critical insight as the apprentice meets the professional eye.. effectively, how did a text come to be when it was written, and as this monograph between Humean parodied & paratactical series vs the (a)subjective surrealist notion of Leibniz/Borges series protects the former (Hume) from being probated, perhaps we have to be skeptical of independent studies a-vis their attitude and similar gatherings of work compared to this par exemplar notion of collegium and actualized groundwork (since it is Deleuze's first work, and not his last say on the word of philosophy.)
A better prerogative of this book is between realist and naturalist intention, which is bound to a Hellpit when Kant and Nietzsche attempt so, but perhaps even irrealis when Deleuze is engaged to dismantle the cusp of Hume as Time is irreversible to its Other like witnessing a passing mood or finding the beauty of say, a-sexuality selection... which is why this book is convenient to read for an epistemologist or a many philosophers.
This explanation of a monad is explaining the a-subjective quality of space, and how points err to disfigure'd space:
As for the second part of the thesis, we can see that it is determined by the first. The smallest impression is neither a mathematical
nor a physical point, but rather a sensible one.33 A physical point is
already extended and divisible; a mathematical point is nothing.
Between the two there is a midpoint which is the only real one.
Between real extension and nonexistence there is real existence
whose extension will be precisely formed. A sensible point or atom
is visible and tangible, colored and solid. By itself, it has no extension,
and yet it exists. It exists and we have seen why. In the possibility
of its existence and in the reason for its distinct existence, empiricism
discovers a principle. It is not extended, since no extension is itself
and atom , a corpuscle, a minimum idea, or a simple impression. "Five
notes play’d on a flute give us the impression and idea of time; tho’
time be not a sixth impression, which presents itself to the hearing
or any other o f the senses.’^ 4 Similarly, the idea of space is merely
the idea of visible or tangible points distributed in a certain order^5
Space is discovered in the arrangement o f visible or tangible objects,
just as time is discovered in the perceptible succession of changing
objects.
When Deleuze separates the understanding vs the imagination, it is only to distinguish the faculties which stir something that is not primordial of past nature, it is to the stir the future's memories of its death of recurrence, and its potential moderacy to in habituate nature as pure affirmation of difference.. It reminds me of the Godard movie when the woman protagonist mentions the affirmation of all sums is more Nietzschean and beastial since the primordial has to see its own death before it did see at all, and empiricism is precisely about this certitude to remain pragmatic, rationale of life over death once death sees its insignificance. It's one reason vitals and physicalism continue to re-appear throughout our duration of living, and how much of it goes against this birth of subjective intentions. (how to affirm differences of nature that rule over us vs the other ways.)
Some other thoughts, Deleuze seems to indicate the n=1, or the root radical is co-dependent on One-ness. (read: different than the nomos of n=0, the breaking away of stratification to separate a socius as democratic and rational instead of Ancient Greek recalling time) to begin One in his ouevre and co-terminus with its readership, in other words, he is entirely flat and constructible to conquer new things Deleuzian inspired or lifestyle related as he is playing chess on his own.