This is the first full length exploration of the relationship between Gothic fiction and Modernism in fiction and film. The Gothic's fascination with images of the fragmented self is echoed in the Modernist concern with the psyche and the paranoia of the everyday. The contributors explore how the Gothic influences a range of writers including James Joyce, D.H. Lawrence, Virginia Woolf, May Sinclair, Elizabeth Bowen and Djuna Barnes.
Professor of English Studies, Head of English and Modern Languages and Co-Director of the Research Centre for Literature, Arts, and Science at the University of Glamorgan.
"My research interests are in Gothic literature, literature and science, nineteenth century literature, and critical theory. I have published widely in these areas and have given conference papers on related topics in the UK and in North America, Canada, Spain, France, Sweden, Germany and the Netherlands. In 2007 I delivered a keynote address at the International Gothic Association conference held in Aix-en-Provence. I was elected Joint President of the International Gothic Association in 2009 and re-elected in 2011. I was elected a Fellow of the Royal Society of Arts in 2007 and elected a Fellow of the English Association in 2008."
Only read the two fascinating essays focusing on Djuna Barnes's Nightwood, but would like to return at some point to read the chapters on Woolf, Metropolis, Sunset Blvd., etc.