This is very much a book of two parts, the first a biographical sketch of Mussolini up to 1943, the second a fast-moving narrative of his sudden fall, his brief imprisonment under the post-Fascist regime, his rescue by German commandos, followed by his installation as puppet ruler of the Ruritanian Italian Social Republic, and final defeat and execution, and it is this part which is much the better.
Richard Collier was a journalist, and his style is very much that of a newspaperman in search of a story, which works well when describing the March on Rome, which he uses by way of introduction, and particularly the details of the 1943 revolt by the Fascist Grand Council, Skorzeny's rescue, and the tangled events that led to Mussolini's death, along with Carlotta Petacci, at the hands of Communist partisans, where the prose reads much like a thriller, and where Collier's use of oral testimony is most useful.
However, as a study of Musslini, his ideas, his politics, and his government, this work is less successful, being sketchy and episodic, with no systematic analysis of Mussolini's ideology or his administration of Italy. Domestic affairs do not interest Collier very much, besides a well researched chapter on the 1924 murder of Matteotti, but he does provide a cogent exposition of the reckless imperial and military policies pursued by Mussolini in the 1930s, and the disastrous foreign policy which led Italy into subservient alliance with Nazi Germany, and ultimately to defeat, humiliation, occupation, and the defeat of Fascism.
Collier draws vivid portraits of the main supporting characters, from Mussolini's long suffering wife Rachele, passionate daughter Edda, obssessed mistress Carlotta, and ambitious son-in-law turned Foreign Minister Chiano to the weak and passive Victor Emmanuel III and the fatally charismatic and dominating Hitler, but his picture of Mussolini, the psychologically weak, woman-hating womaniser, obsessed with appearance over reality and driven by ego and conflict, is somewhat opaque, and sometimes verges on the traditional English image of the Duce as quasi-comic strutting popinjay, but such may not be surprising in a book written in 1971 before detailed study of Mussolini's Itajy had begun and which was designed for a popular readership. And it is as a popular and vivid telling of Mussilini's rise, but mostly fall, that this entertaining biography succeeds.