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Cigars

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Provides a two-part treatment of cigars by a professional buyer and supplier, discussing in Book One the history of the cigar from cultivation to cigar rolling and culture, and identifying in Book Two the author's eighty-eight most recommended cigars and a list of stores and clubs.

192 pages, Hardcover

First published May 1, 2002

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Gerard Pere et Fils

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1 review
October 13, 2015
Really an informative book I have read. A few individuals simply don't get it. We stogie crazy people do not burn cigars for a quick fix or to take the edge off. Rather, we anticipate an affair speaking to a large number of our most tangible senses – sight, smell, and taste. Burning a stogie makes a 'moderate down' minute in our occupied lives filled with relaxation and enjoyment. A moment we make time for. There is no arrangement of tenets set forth by some representing stogie body stating how one must go about enjoying a cigar. However, there are approaches to get ideal results every time you light up, further enhancing there are approaches to get ideal results every time you up.
The draw of a stogie is key for most extreme stogie pleasure. If the draw is too tight, not enough smoke will reach the sense of taste, in this way thwarting the level of flavor your taste buds receive. Also, the less smoke one pulls in with each puff, the less smoke one breathes out, diminishing the measure of fragrance noticed. There’s nothing better than sitting in a pillow billow of charming smells while burning a fine stogie. There are several methods to correcting a tight draw. One can back rub and squeeze the cut end of the cigar to work out some of the ‘knots’ or use a draw poker to open larger airways through the barrel's body. Some of the time, a tight draw is the result of a cigar containing an excessive amount of dampness, which causes the filler, clears out to extend and confine wind current. For this reason, it is suggested putting away stogies at a mugginess level somewhat lower than 70%. I got these informations also from cigarillo australia .
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