I adore Madonna.
I have been a devoted fan for years before I was even able to fit into a bra -- conical or not. I appreciate her as an artist, as a pop icon who has actual value, as a businesswoman who has been able to run an successful empire.
That this book exists is good -- I feel like there needs to be a new version. The text leave off in 1993, the year of Truth or Dare and the Blonde Ambition Tour. There's a lot more to Madonna's ever-unfolding (and highly scrutinized) story since and it's time for an update.
Still, the essays and articles hold up. Some of them seem funny, since a few writers in the early 90s pegged her as having no staying power whatsoever. Most of them, though, are fascinating whether you care about Madonna or not.
Camile Paglia triumphs her as "a true feminist" and it's one of my favorite essays in the book. Why should women behave like men? It's an insulting concept and one that Madonna either totally eschews or makes fun of through parody.
bell hook's "Plantation Mistress" is asinine but fascinating -- I don't see how Madonna using black dancers firmly places her in racist territory, but whatever, bell. Keep chastising and I'll be over here happily Vogue-ing with my black friends.
I've picked up this book time and again for tidbits about my No. 1 hero. It's an engaging, illuminating read, one made excellent if you care a lot about the subject of all these critiques.