Fourteen books into the Sean Dillon series, it's clear Jack Higgins got bored. Without Mercy, the previous entry, was an awful book, and The Killing Ground isn't much better. It reads like it was written over a weekend, not edited, and published just to get another Dillon adventure on the shelves. Aside from some character names, weapons and drinks, they barely resemble the older books in the series.
Staking out an airport, Sean Dillon captures a member of the Rashid family, but this particular Rashid is actually an honest citizen. He does, however, have a kidnapped daughter, and when Dillon and the rest of the Prime Minister's Private Army offer to help they get pulled into a bigger plot involving Russian spies, the IRA and an Al Qaeda connected terrorist known as the Hammer of God. It's nowhere near as cool as it sounds.
Spoilers...
It's hard to know where to begin complaining. The plot is convoluted as hell, and it never comes together in any coherent way. I guess this network of Russians is going to remain in the background pulling the evil strings, which is fine, but then they're mashed up with the Rashids -- another group of recurring villains, and a better one because instead of bringing the same characters back a new group of family members will just turn up in each book -- plus hired IRA gunmen and a mysterious figure called the Broker who seems to be involved with everyone. And most of the villains are still around by the end. The Russians are all there; the head IRA guy is alive, though some of his henchmen were killed; the Broker is not only at large but not identified. Only Hussein Rashid and his sect of the Rashid family are dealt with. Too many times the bad guys are intentionally wounded; even Harry Salter, who is supposed to be a ruthless gangster, sends an assassin to kill a Russian who attacked him and the assassin just shoots him in the leg. Everything amounts to a game of tag, and it just becomes boring.
The characters are dull and inconsistent. Sean Dillon is indistinguishable from anyone else; all his charm, humor and cool are gone and he just speaks matter-of-factly about everything, like everyone else. Sara Rashid is supposed to be thirteen but acts like she's fifty and addicted to Prozac; she also vascillates from wanting to escape Hussein to wanting to stay with him, and there's no rhyme or reason to any of it. There was an opportunity to show how being exposed to religious fanaticism can indoctrinate someone, but it's never dealt with in any coherent manner. And everyone commenting how astonishing she is gets old fast. Igor Levin is a part of the team now, despite being one of the people responsible for killing Hannah, which none of her "friends" seem to care about. There are also way too many characters, to the point where Dillon no longer feels like the lead; he's just another supporting character. There were so many assassination attempts in this book it would've been the perfect opportunity to thin the herd at least a little; alas, no.
Then there are many technical problems. There are lots of moments where it's impossible to tell who's talking, partly due to inconsistencies in speakers (a character will speak in one paragraph, then take over for himself in the next). At one point, Roper -- who is paralyzed -- stands up out of his wheelchair. A Rashid is killed by a group of Sunnis, which makes no sense because they're affiliated with Al Qaeda, which is a Sunni organization, making the Rashids Sunni as well. All of these things and more are why I say it feels like the book wasn't edited.
Reading these last two Higgins books was a real bummer. I don't know if he's tired of Dillon or what, but I don't think his heart is in it anymore. I've stuck with the series for a long time so it's hard to abandon it now, but I'm sorely tempted.