Emergency Poems is the Chilean poet Nicanor Parra’s second bilingual collection published by New Directions. The spare, often grim irony of the first Poems and Antipoems (1967)—a wide selection gleaned from his four earliest books—established his reputation with a North American reading public used to the more formal language of conventional Spanish-speaking poets. Since then he has traveled extensively in this country, teaching, lecturing, and reading from his own work; while in Chile he received the 1969 Premio Nacional de Literatura (National Literature Prize) for his Obra Gruesa, from which many of the pieces in Emergency Poems are drawn. In his introduction to this latest collection, Miller Williams, the translator, comments that Parra’s “poetry has moved and expanded as the imagination behind it has since the publication of Poems and Antipoems. Those who are familiar with Parra’s work will find the humor more sharply honed and darker, the anger closer to the surface and sometimes breaking through, the language tighter, the compassion deeper and the statements more political—or anyway more social.”
Nicanor Segundo Parra Sandoval was a Chilean poet and physicist. He was considered one of the most influential poets in the Spanish language of the 20th century, often compared with Pablo Neruda.
Here's a batch of anti-poems from the #1 anti-poet - Nicanor Parra (1914-2018) from Chile. I've also included my own anti-comments.
MODERN MAN
has fallen into a trap he has only seven roads left and none of them leads to Rome
-------------------- Sounds like Nicanor just returned from a suburban mall packed with busy shoppers or spent hours in bumper to bumper traffic or sat through a speech or you name it - chances are whatever you name is ugly as hell.
I'M NOT A SENTIMENTAL OLD MAN
a baby leaves me absolutely cold I wouldn't take a baby in my arms even if the world were caving in every man scratches his own itch I can't stand a family get-together I'd rather be stuck in the eye with a sharp stick than play with my nephews my grandchildren don't move me very much either what I mean is they set my nerves on edge the second they see me come back from the coast they come running at me with open arms as if I were Santa Claus little sons of bitches! who the hell do they imagine I am
------------------- I wonder if Nicanor ever attended a high school reunion, sang Christmas Carols, visited Disneyland, was a member of a bowling league, danced the twist?
SOMEBODY BEHIND ME
reads every world I write looking over my left shoulder he laughs at my problems with no shame a man with a swagger stick and tails
I look but there's nobody there still I know someone is watching me
-------------------- Feeling paranoid, Nicanor? Maybe if I was living during a time when secret police and death squads routinely rounded people up to be tortured or shot, I'd be looking over my shoulder too.
WHAT TIME IS IT
When a gravely ill man comes around for a few seconds And asks his relatives what time is it --Gathered as if by magic Around the deathbed -- In a voice that sets their hair on end
It means something is wrong It means something is wrong It means something is wrong
----------------- Can you imagine a dying man's last words: "What time is it?" Such a question signals something is most surely wrong with society. Those last words are right up there with: "Who won the ball game?" or "Where's my wallet?"
HELP!
I don't know how I got here:
I was running along happy as you please My hat in my right hand Chasing a phosphorescent butterfly Who drove me crazy with joy
And suddenly zap! I tripped I don't know what's happened to the garden The whole thing went to pieces My nose and my mouth are bleeding.
Honestly I don't know what's going on Either give me some help Or a bullet in the head.
---------------- Nicanor was enjoying life out in nature when he was pushed through his culture's meat grinder. No doubt he needs help, lots of help. If help is not forthcoming, there's always a gun handy courtesy of the right to bear arms.
IT'S CRYSTAL CLEAR
that I shouldn't come to the U.S. --I'm not about to buy that crap-- ok then for the same reason we ought to break relations with France with Peru--with Bolivia--with Luxembourg
I shouldn't ever set foot outside of Chile but who'd get fat on that.
------------------ Exactly right, Nicanor. No man, especially an anti-poet, is ever a hero in his own country.
WELL THEN
don't be confused if you see me in two cities at once
hearing mass in a chapel of the Kremlin or eating a hot dog in a New York airport
I'm the same person both places although it seems absurd I'm the same person
--------------- Seems, Nicanor? It is absurd! When in your 103 years on this planet wasn't it all absurd?
Grumpy old man writes some poetry. He is not as great as Keats nor as bad as Sandra Bond in the Derby local newspaper. Most are observations, not overly profound; some mildly amusing but none leave an impression that lingers after you have closed the book.
My personal favourite was his poem Sigmund Freud,
We see a god nailed to a cross A crucifix is a phallic symbol We buy a map of Argentina To study the border problem All of Argentina is a phallic symbol We are invited to People’s China Mao Tse-tung is a phallic symbol To normalise the situation We have to spend a night in Moscow The passport is a phallic symbol Red square is a phallic symbol.
The poem continues in this vein but I had to laugh at the image of Chairman Mao’s head atop a Mandarin collar as a phallic symbol and concede that Freud might have had a point.
You only have to look at the sun through a smoked glass to know things are bad: or maybe you think everything is fine. I say we ought to go back to cars pulled by horses to steam-driven planes to TV sets cut from stone. The old folks were right: We have to go back and cook with wood again.
με τη διαδικασία του κατεπείγοντος η αντιποίηση του Parra ή όπως λέει ο ίδιος στο μανιφέστο του η ποίηση της δημόσιας πλατείας, της κοινωνικής διαμαρτυρίας, ποίηση βασισμένη όχι στην επανάσταση των λέξεων αλλά των ιδεών. Και ίσως αυτός να είναι τελικά, ο ορισμός της ποίησης κυρία μου.
SIGMUND FREUD Bird with a mouthful of feathers! Who can bear psychiatrists anymore? They relate everything to sex.
The most astonishing claims Are found in Freud's works.
According to this gentleman All tapered objects --Fountain pens, pistols, blunderbusses, Pencils, water pipes, dumbbels-- Symbolize the masculine sex; All circular objects Symbolize the feminine sex.
But psychiatry goes even further: Not only cones and cylinders Almost all geometric figures Symbolize sexual equipment The Pyramids of Egypt for example.
But that's not all Our hero goes further than this: When we see artifacts We see, let's say, lamps or tables The psychiatrist sees penises and vaginas.
Let's analyze a concrete case: A neuropath is going down the street All of a sudden he turns his head Something attracts his attention --A birch tree, a pair of striped trousers Some object flying through the air-- In the nomenclature of psychiatry This is to say The sex life of the patient Is in a hell of a mess.
We see a car A car is a phallic symbol We see a building going up A building is a phallic symbol We are invited to go bicycle riding The bicycle is a phallic symbol We go by chance to a graveyard The graveyard is a phallic symbol We see a mausoleum A mausoleum is a phallic symbol.
We see a god nailed to a cross A crucifix is a phallic symbol We buy a map of Argentina To study the border problem All of Argentina is a phallic symbol We are invited to the People's China Mao Tse-tung is a phallic symbol To normalize the situation We have to spend a night in Moscow The passport is a phallic symbol Red Square is a phallic symbol.
The plane spurts fire out of its mouth.
We eat bread and butter Butter is a phallic symbol We rest a while in a garden The butterfly is a phallic symbol The telescope is a phallic symbol The baby bottle is a phallic symbol.
In a separate chapter We find the allusion to the vulva Decorum prevents us from talking about that When the comparison is not to an owl Which stands for wisdom The comparison is always to toads or to frogs.
In the airport at Peking It's hotter than ten thousand demons They are waiting for us with flowers and refreshments Since reaching the age of reason I had never seen such beautiful flowers Since the world was a world I had never seen such friendly people Since the planet was a planet I had never seen such happy people.
Not since I was thrown out Of the Garden of Eden.
But back to the poem.
Strange as it might seem The psychiatrist was right As he starts into a tunnel The artist becomes delirious. To begin with he's taken to a factory There is where madness begins.
The principal symptom: He relates everything to the act He can't tell the sun from the moon He relates everything to the act Pistons are sex organs Cylinders are sex organs Turntables are sex organs Crankshafts are sex organs Blast furnaces are sex organs Nuts and bolts are sex organs Locomotives are sex organs Ocean liners are sex organs.
There's no way out of the maze.
The West is a great pyramid That ends and begins with a psychiatrist: The pyramid is starting to crumble.
bread goes up so bread goes up again rents go up this brings an instant doubling of all rents the cost of clothes goes up again. inexorably we're caught in a vicious circle. in the cage there is food. not much, there is food. outside are only great stretches of freedom.
No praying allowed, no sneezing. No spitting, eulogizing, kneeling Worshipping, howling, expectorating.
No sleeping permitted in this precinct No inoculating, talking, excommunicating Harmonizing, escaping, catching.
Running is absolutely forbidden.
No smoking. No fucking.
* * *
The Situation is Getting Delicate
You only have to look at the sun through a smoked glass to know things are bad: or maybe you think everything is fine.
I say we ought to go back to cars pulled by horses to steam-driven planes to TV sets cut from stone.
The old folks were right: We have to go back and cook with wood again.
* * *
Help!
I don't know how I got here:
I was running along happy as you please My hat in my right hand Chasing a phosphorescent butterfly Who drove me crazy with joy
And suddenly zap! I tripped I don't know what's happened to the garden The whole thing went to pieces My nose and my mouth a bleeding.
Honestly I don't know what's going on Either give me some help Or a bullet in the head.
* * *
Sentences
Let's not fool ourselves The automobile is a wheelchair A lion is made of lambs Poets have no biographies Death is a collective habit Children are born to be happy Reality has a tendency to fade away Fucking is a diabolical act God is a good friend of the poor
* * *
Well Then
don't be confused if you see me in two cities at once
hearing mass in a chapel of the Kremlin or eating a hot dog in a New York airport
I'm the same person both places although it seems absurd I'm the same person.
* * *
I Don't Believe in the Peaceful Way
I don't believe in the violent way I'd like to believe in something - but I don't to believe means to believe in God all I can do is shrug my shoulders forgive me for being blunt I don't even believe in the Milky Way.
* * *
They Were Just the Way They Were
they worshipped the moon - but not much they made wooden baskets they had no idea of music they fucked standing up they buried their dead standing up they were just the way they were
* * *
These Idyllic Lovers
could be two ants two eye in the same face two nostrils in the same nose
these motherfucking lovers could be the sea the way they go up and down could be the sun if those were sun spots.
* * *
As Marcuse Says
students have their heads on backward today they hijacked an airplane to Cuba tomorrow they'll hold up a supermarket - under the pretext of collecting money for the cause - the day after that they'll kidnap a diplomat why don't they kidnap the she-dog that whelped them all!
no one can say they don't have the stage for now but cunning will overpower force this is what I've been telling you the old and worn-out welded into one will make the young iconoclastic lords see blue elephants.
* * *
Modern Times
These are calamitous times we're living through you can't speak without committing a contradiction or keep quiet without complicity with the Pentagon. Everyone knows there's no alternative possible all roads lead to Cuba but the air is dirty breathing is a futile act. The enemy says the country is to blame as if countries were men. Accursed clouds circle accursed volcanoes accursed embarkations launch crumble on accursed birds: it was all polluted to begin with.
* * *
So You Can See I Don't Carry a Grudge
I give you the moon Seriously - don't think I'm making fun of you: I present it to you with the very deepest affection: I'm not trying to pull anything! you can go pick it up yourself your uncle who loves you your many-coloured butterfly Coming to you directly from the holy sepulcher.
* * *
Somebody Behind Me
reads every word I write looking over my left shoulder he laughs at my problems with no shame a man with a swagger stick and tails
I look bu there's nobody there still I know someone is watching me
* * *
Modern Man
has fallen into a trap he has only seven road left and none of them leads to Rome
لم أتعرف على الشاعر نيكانور بارا إلا بعد وفاته في شهر يناير من هذه السنة عن عمر يناهز المائة، وأعجبني حقا شعره وأسلوبه الفوضوي الساخر، المضاد للوقار والجدية والنازع لقداسة الشعر، وقد انسلخ من النموذج النيرودي، ليصبح الشاعر المضاد.
فهو يرى أن للشاعر المضاد الحق في أن يقول كل شيء: “اكتب كما تشاء، بأي نمط تريد، سال الكثير من الدم تحت الجسر، من أجل ألا تستمر في الاعتقاد، بأن طريقًا واحدًا فقط هو الصحيح. كل شيء مسموح به في الشعر. وباتباع هذا الشرط فقط بالطبع، ستتمكن من تغيير الصفحة الفارغة“.
Thank you local library! Bright, shiny, simple, subversive poetry, very funny and irreverent, apocalyptic and prosaic:
Laughing like crazy the child goes back to the city gives birth to monsters creates earthquakes hairy women run naked old folks who look like fetuses laugh and smoke.