Novelizations may be considered one of the lowest forms of literature, but I do enjoy reading them on occasion — usually only when I’m a fan of both the movie and the author. I like getting the little bits of extra info, whether it’s scenes that were cut from the final film, newly invented ones, or just getting a peak inside the heads of the characters. This doesn’t really have much of any of that, but the fact that I loved it anyway speaks to how ingenious the screenplay by David and Janet Peoples is.
This sort of thing can be hard to judge strictly based on its own merits, as usually the reader has already seen the movie (and presumably found it entertaining), and they’re likely imagining those actors and sets and such as they’re reading, which was the case for me here. Even though I haven’t seen it in at least a decade, I could still picture Gilliam’s disorienting and claustrophobic cinematography, still hear the unsettling accordion-infused score, still envision Bruce Willis, Madeleine Stowe, and (especially) Brad Pitt in their roles. If I had never seen the movie, would I still think this was a 5 star book? Maybe not, as the performances were a major part of the movie’s brilliance, but that doesn’t change the fact that I read the entire thing in two sittings, captivated the whole time. I found the narrative to be every bit as haunting and thought provoking as I did when I first saw the film 30 years ago. It’s profoundly moving as well. And I usually don’t go for time-travel tales.
Elizabeth Hand did a stellar job translating this mind-bending story into novel form, but most of the credit has to go to the original script, especially considering Hand probably knocked this thing out in a week or two, as most writers do when taking on this sort of work. Still, the pacing here is relentless. Just go go go from beginning to end.
It’s definitely a 5 star film and screenplay, and this is as good a novelization I’ve read (I don’t believe I’ve ever given one 5 stars). If you’re someone who’s seen the movie semi-recently, this won’t really add much other than some of Cole and Dr. Railly’s internal thoughts, as well as extra background info and added context to a few scenes.* But if you’re someone like me who just wants to revisit the story in a different form, I can’t see how anyone could possibly find this disappointing. If you’ve never watched the film, you might find the characterization a bit thin, but other than that this is about as good as it gets for a tie-in.
(Btw the reviews here and on Amazon that complain that the whole thing can be read in a few minutes most likely read a defective Kindle version that was accidentally published several years ago, so it’s pretty safe to ignore those, imo.)
*usually novelizations are based on much earlier versions of the screenplay, so that the book’s release can be timed to coincide with the film’s, and if that was the case here, the original script was almost exactly the same as what ended up on the big screen. Usually I look forward to the many differences when reading one of these, but this was pretty much the movie in book form. And I was fine with that.