This book draws on interviews with the master photographer himself, this is a fascinating volume repatriates some of Karsh's most iconic portraits with the stories behind him.
I appreciate seeing more of Yousuf Karsh's portraits. It disappointed me that Anna Magnani's portrait was not included. In hopes of studying the Magnani portrait, I borrowed this book from the library.
On page 96, there is a glaring error. It reads 'the pubic mind' when it is supposed to say 'the public mind'. I hope future editions correct this error.
"Famously reticent about his work, this is a rare invitation to learn the stories behind Karsh's most famous meetings with great men and women, and of his aesthetic choices when met with the challenge of capturing them as they were." —Publishers Weekly
The short written pieces before each photo bring deeper meaning to the images themselves. Karsh's relationship with his subjects is the real story. The connections he made gave us some of the most amazing photographic portraits in history.
This book attempts to look beyond the simple stories told about many of Karsh's most famous portraits. Because actual information from Karsh himself rarely goes beyond these simplified stories, much of the information is simply the thoughts of Mr. Travis. He does attempt to glean information from interviews by/with one of Karsh's principle assistants. Some of Travis' commentary I appreciated but other parts of it simply seemed to be conjecture.
Overall it's a decent book with somewhat small but good quality prints that allows you to meditate on Karsh's broad body of work.
Good book of photographs from Karsh. The comments on each portrait from the photographer are not necessarily revealing in terms of technique or rapport with the subject. Just anecdotes about the session. The commentary from Travis is helpful but a bit academic for my taste.