Enjoying poetry and novels can seem irrelevant and out of touch in a world of texting, tweeting, and blogging. But even in this technological age literature matters . Seasoned professor Louis Markos invites us into the great literary conversation that has been taking place throughout the ages and illuminates the wisdom to be found therein. He offers both a guide to studying and understanding literature, especially poetry, and an inspiring look at what it means to think like poets and view the world through literary eyes. This book holds out a truth for all: that the understanding and appreciation of literature draws us closer to God, his Word, and his work in the world.
Dr. Markos earned his B.A. in English and History from Colgate University and his M.A. and Ph.D. in English from the University of Michigan. At the University of Michigan, he specialized in British Romantic Poetry, Literary Theory, and the Classics.
He has taught at Houston Baptist University since 1991, where he is Professor in English and holds the Robert H. Ray Chair in Humanities.
Volume endorsed by Joseph Pearce and Louise Cowan. Series endorsed by Robert Sloan, Thomas Kidd, and Carl Zylstra. Series editor: David Dockery. Series editors: Hunter Baker, Timothy George, Niel Nielson, Philip Ryken, Michael Wilkins, John Woodbridge. This volume could have easily gotten 5 stars, but I would have liked to have seen it be a little friendlier towards the Reformation.
2024: Read with students for an Honors mentorship.
Series Preface 2: withstand dismissive attitude toward biblical thinking
Introduction (read) 15: older STEM folks know why literature is important; literature invites you in 17: truth lasts 18: tradition/roots 19: Wordsworth and Shelley 20: humanizing synthesis 20-21: focus on poetry 21: think like a poet; overview of chapters 22: Christian audience; truth-giving potential
Ch. 1: Rhythm and Rhyme (skim in 2301?) 23: 20c saw decline of rhythm; traditionally more about stress than syllables 24-25: poetic feet 26: scansion 30: masculine and feminine rhyme 34-35: sonnets 40-41: free verse and cosmic order
Ch. 2: Words and Images (read) 43: precision 44: allusions as shorthand 48: objective correlative 49-50: Wordsworth's sonnet about sonnets 50-51: Christian students' advantage 52: "graceful but deadly" isn't as good 54: magical quality of metaphor; defamiliarization (see p. 56) 55: love is a star, and we are ships 58-59: Lord's Supper and symbolism 59-60: world full of meaning
Ch. 3: Ages, Authors, and Genres (definitely read, in parts) 61: influence and endurance; Great Books don't evolve; humility 63: seven epochs of expansion 64/67: epics and virtue 65: Christian humanism 67: major players in classical Greece 68: tragedy and comedy 71-73: Horace, Virgil, Ovid 74: romance 75: Song of Solomon—cf. N.D. Wilson (bunnies and hawks) 75-76: Dante/Aquinas 79: blaming Luther; unity of medieval Christendom (ha!) 80: Spenser's anti-Catholicism; Sidney's Defence 83-84: Cavaliers and metaphysical poets 85: Milton 88: Romantic emphasis on the self 90: American unorthodoxy 92: crisis of faith 97-101: Christian writers
Ch. 4: Theory and Criticism (don't need to read all of it) 103: how, who, when, where, what, why; Westminster Shorter Catechism 104-05: Plato 105-06: Aristotle 107-08: Horace and Longinus 109-10: suspicion regarding pagan classics; four-fold method of interpretation 110-11: Sidney's Defence 111-13: Wordsworth, Coleridge, and Shelley 114: Arnold and Eliot 115-17: New Critics; Keats's "negative capability" (p. 116) 117-19: historicism 118: hyper-Calvinism [R.C. Sproul says that often a hyper-Calvinist is a Calvinist being described by an Arminian] 119-20: feminism 120-21: deconstruction 121-22: Scripture and meaning
This would make a good reference book for English majors. The beginning was a very deep dive into poetic meter. I enjoyed his comparing the structure of poetry to the beauty and structure of God’s created world.
The critical theories section was a nice overview. The Medieval Theories section was with the price of the book. I wish he had come down harder on the New Critics and Post Modern theories.
Even though the title says this is a literature guide, the author states that his goal was to provide a foundation for understanding and appreciating poetry. I think he did a very good job and accomplished his goal in me.
Great overview of poetry, not prose. Markos is certainly a "classicist" who believes in the objective superiority of the great works of literature of the past 3,000 years. But, like I said, this volume focuses on poetry. The first two chapters deal with mechanics: meter, rhyme, imagery, diction. The third chapter is a broad sweep of the history of great literature, beginning in the 5th century BC and ending in the present day. The last chapter addresses (and refutes) some recent critical schools, such as deconstructionism, feminism, etc. Deep lovers of literature will find most or all of this book to be review. However, if there are any holes in your knowledge of who the "greats" are, this book will fill you in. The glossary is invaluable as well.
For being a short book, this book goes through a lot of really good stuff while taking the best of both worlds--of being fully Christian while also being fully intellectual and not watering either quality down for the sake of the other. It focuses more on poetry than on prose, but its chapter on poetry was really helpful for me, since I struggle a good bit with understanding poetry. The overview of literary criticism was also excellently done. Great introductory book packed with rigorous analysis and Christian truths.
What value does literature have to the Christian? Markos examines that question here (though a more apt title is “Poetry” as other forms of literature are barely discussed.) The burden should have been placed on how Christians are to interact with and learn from literature, but Markos gave the lion’s share to discussion of poetic meter and literary history. Worthy concepts, but off the mark for the aim of this series and length of this volume.
Useful, especially as an overview to a broad variety of literary topics — poetic language, genre, history, and criticism. Not as good as the man who wrote the blurb comparing Markos' use of language to C.S. Lewis' thinks. Would have benefited from tighter editing. Still glad to have it on my shelf, especially for the first two chapters on poetry.
Takes a bird's eye view of literature from 20,000 feet - historically and critically. Although short, this is a very, very helpful book for someone like me who rarely listened to his high school English teacher...but should have. Encapsulates all the good stuff I missed back then. This is one of those spring-board sort of books that makes me interested in reading the classics. Just terrific.