The master of horror returns with a second offering of truly poetic gore, blurring the line between pleasure and pain. The greatest creators in Comics find themselves stitched together in Clive Barker's Cenobite sandbox with a hellishly delightful host of classic HELLRAISER tales. Dive deep into the lands of Leviathan with: Bernie Wrightson (Swamp Thing), Kyle Baker (Nat Turner), Mike Zeck (Spider-Man, Punisher), John Rozum (Xombi), Colleen Doran (A Distant Soil). Walk deeper into the bowels of Hell as Pinhead, Face, and the rest of the Cenobites welcome you with open arms...they have such sights to show you.
As I said in my review of the previous volume of this series, nobody probably goes to Hellraiser comics looking for anything particularly new, and they also probably won't find it here, even if some of these stories do interesting things with the same old material.
I picked these up from the library in search of a couple of particular stories (the Mignola one and one by Jan Strnad) which both happened to be in the first volume, but I read this one anyway. Bernie Wrightson is in here, which is cool, and there's some good art by Colleen Doran and others, as well as the concluding chapter of the Clive Barker story that started up in volume one. However, by far the best story in this one is "The Tontine" by Scott Hampton.
El segundo volumen de Clive Barker's Hellaraiser Materpieces es infinitamente más bueno que el primero. Aquí sí que los relatos son interesantes y macabros.
Very similar to the first volume, maybe slightly better. As usual the stories are really weird and some I just don't get. The art is good for the most part, and some of the stories aren't bad. I really like The Harrowers, as with villains as evil as the Cenobites there really needs to be someone to oppose them.
Overall something hardcore Hellraiser fans will enjoy, but casual fans might find too over the top.
This book confirmed that this series isn't for me.
The art in this collection features styles that have aged much better than the first volume did. Most of the stories embrace the ethos of Hellraiser more than the first volume's, and reminded me just how much it bothers me now. The Tontine, for example, is a 20+ page story about a group of soldiers who play Russian Roulette each year to see who gets to inherit the others' luck. It's dark and it revels in misery and the pointless waste of life, which are two of the things I find most unpleasant. The whole pleasure of pain ethos is also central to many of these stories, and it's something I never connected with in the first place, so it pushed me even further away.
If you love Hellraiser, I think this second volume will be more enjoyable than the first; it features the Cenobites much more centrally in the stories, and there are no real happy endings. There are two more Harrowers stories, too, if that's your interest, although neither does a whole lot for me. But what this volume really said to me was that the Hellraiser realm is no longer one I care to revisit.
Like Volume One, this collection reprints short stories from the HELLRAISER comics anthology series of the 1990's from Epic/Marvel Comics. Almost all of these thirteen stories by various creative teams stay true to the Hellraiser universe created by author Clive Barker. They capture the fear, creepiness and overall uneasy atmosphere that began with Barker's short story The Hellbound Heart and later transferred to the series of Hellraiser movies. However, nothing here matches the magic and shock value of the films, including "The Harrowing, Part Two: Insurrection" - - the story that Clive Barker wrote for this series. The best story in the bunch is also the most disturbing - - "The Tontine" with story by Scott Hampton and art by Scott Hampton and John Van Fleet. Other stand-outs include "Babycakes" by Faye Perozich and Gerry Talaoc; "With My Lips"any John Rozum and Rod Whigham; and "Later" by C.J. Hendersonand Vincent Cecolini.
There are some really great stories in here such as "The Tontine" but the whole thing is a bit less strong on average than the first volume. Still the art is spectacular throughout. Alex Ross in particular lends a lot of beauty to the book. The main detracting factor is how inconsisent the dialogue and plot of The Harrowers is. The whole storyline presents the mythology in a way that doesn't fully work for me and feels too moralistic and almost like it's trying to be a conventional superhero comic. Also the way it tries to be pro trans people doesn't fully work for me as it paints cenobites as being transphobic and also implies that a trans person can't be happy unless they're magically transformed and their whole life up until that point is essentially wiped away. Like I said there are a lot of really strong standalone stories and the art is amazing so I do recommend this book to fans of the franchise or horror comics in general.
I am so torn on these, but I lean towards not liking them.
The stories seem to be picked without a thought, which makes this easily confusing.
You get gorgeous and detailed stories and then some that can't keep up, making the whole thing feel off.
A randomly thrown together collection is not the way to go. It would be better to follow a character, style or storyline.
I still like most of the stories, but the collection doesn't make sense to me. The story that I still remembered was "Babycakes" so it was a surprise to see it here.
Hellraiser is now my new obsession—I mean, Clive Barker is my new obsession. ✨✨✨👑 All the short stories in this collection weren't written by him, but they all take place in the Hellraiser universe. Some stories are better than others, but they're enjoyable just the same. I can't wait to read The Hellbound Heart. 🖤
This one had a few bleaker stories, the Russian Roulette pact in particular but when Pinhead arrives in one of the latter stories he seems off and I can’t quite pin (ha) down why.
Worth reading if you are a Barker fan and interesting enough to hold your attention
This entire review has been hidden because of spoilers.
These terrible stories make volume one seem like fine art? So bad I am giving up on the extended franchise. Torture porn with little else to recommend it.
I didn't like the stories in this collection as much as the stories in the first volume. However, the stories "The Tontine" and "With My Lips" are amazing and definitely worth a read.
This was pretty similar to the first Masterpieces volume: a little less top-heavy on future-comics-star power, but with slightly more excelllent stories in the dry, ironic Hellraiser vein.
Nämä Marvelin vastavetona DC:n hyvin menestyneelle Vertigo -nimikkeelle perustaman Eclipse Comicsin julkaisemat Hellraiser-stoorit on kyllä hyvin kirjavaa kamaa. Pahimmillaan ne ovat keskinkertaista roskaa, mutta parhaimmillaan ne ovat komeasti maalaattuja (Bolton jne.) ja tarinaltaan erittäin toimivia pieniä kauhutarinoita. Tästä ensimmäisestä kokoelmasta jäi parhaiten mieleen Jan Strnadin kirjoittama ja Mark Chiarellon maalaama To Prepare a Face, jossa päähenkilö on eräänlainen Lon Chaneyn The Man With a Thousand Faces -pastissi, joka ei käytäkään pelkästään perinteisiä maskeerausvälineitä uniikkien elokuvamaskiensa tekemiseen. Pelkästään tämä tarina on tarpeeksi nostamaan tämän kokoelma-alpparin keskinkertaisuuden suosta, johon se muuten olisi vaarassa upota.