Sherry, Sherry Baby! Sherry, Won’t You Come Out Tonight?
In his teenage fantasy of a horror novel, COME OUT TONIGHT, Richard Laymon has Sherry Gates, a 20-something substitute high-school teacher, ready to make love to her boyfriend Duane, when they realize that they need a condom. They discuss putting off the whole affair, and then Duane volunteers to go down to the Speed-D- Mart and pick up a pack. “Be back in 15 minutes,” he says. But hours later he still hasn’t returned.
Sherry dons the sexy, almost-cheerleader outfit she wore for their dinner date and heads out into the night. She goes to the Speed-D- Mart, sees Duane’s vacant van, looks inside the store and the nearby Laundromat, and finds her boyfriend is not around. She’s asking herself what to do next when the horn of the car in front of her honks and a big, stupid-looking kid gets out and approaches her. The kid says that he’s had her as a substitute teacher at his high school and is really a fan of hers. He tells Sherry that he saw Duane go off with some guy a little earlier, and he offers to drive her down Venice Blvd to look for him.
There are a lot of moments in COME OUT TONIGHT when you want to just shout at the book, or in my case the audio book, “Don’t do it! Don’t be so damn dumb, Sherry! The kid could be a sadistic murderer”… which in fact he turns out to be.
The kid, Toby Bones, has already killed Duane, of course. He’s cut off his head and soon puts it in Duane’s bed. Sherry finds that out when she and Jim Star, another guy who has volunteered to help her, make their way back to Duane’s pad. Toby’s hiding there, stabs Jim almost to death, murders an innocent neighbor woman who responds to all the screaming, and then brutally rapes, beats up, and murders Sherry before dumping her over the edge of a cliff in the Hollywood Hills.
Toby then goes home and (just for good measure) takes a drill to the eyes and head of his sadistic brother, Sid. He also tells Sid’s girl that she belongs to him from now on.
Meanwhile, at the base of the Hollywood hills, 16-year-old aspiring author/high-schooler, Pete and his pal Jeff are doing the usual 16 year old stuff, when Jeff spots a body that’s rolled down the side of the hill behind Pete’s parents’ home. It’s Sherry! In spite of his best efforts, Toby wasn’t able to kill her after all. Finally the beautiful young woman’s luck changes… sort of, as the two (horny) teens revive her. Jeff wants nothing more than to be near the beat-up, naked, but still amazingly beautiful Sherry. He’s willing to lie and cheat to do so, which he does. Pete has a better nature and insists on helping her. The question is how?
There are a lot of possibilities, but none of them involve the obvious solution. “Call the cops!” Again I’m shouting at the audio book, “Just call the damn cops, Sherry.” Of course they don’t.
We now learn that, thinking he’s killed Sherry, Toby decides to go after Sherry’s hot, sixteen-year-old sister, Brenda… which he does, and before we’re through, another 3 more teens, and a cop are slashed, shot and otherwise brutally murdered just as forest fires sweep through the hills erasing most of the details of the crimes, including Sherry’s ultimate, Brenda-saving revenge.
I guess this book is a guilty pleasure, with more emphasis on guilt than pleasure. It’s incredibly gory and obscene. There are moments when Laymon’s sense of humor shows through and lightens things up a little. Once Pete and Jeff appear, the book improved quite a bit for me. It was no longer relentless gore and over-detailed tension. The early banter between Brenda and her car-washing teen friends is nicely done too. Toby for all his evil nature is the most logically consistent character in the whole book. Still, as weak and pliable and confused and illogical as she is, Sherry is the character I really cared about. I was ready to burn the book at several points during the first half and was seriously considering giving up when Sherry turned up alive. I thought Pete and Jeff’s shenanigans were completely unbelievable (in a sea of characters with unbelievable actions) but I liked them and I especially liked Sherry’s kindhearted and understanding reaction to their undeniable teenage horniness. The tension in this book is unrelenting, though I have to admit that Laymon’s focus on the minutest details in order to build tension started to get to me after a while. Final analysis: if you love horror stories that don’t skimp on the blood and gore, but do result in satisfying revenge on the monsters involved, or you’re a writer looking for ways to create greater tension and horror for your readers, or you’re willing to wade through buckets of gore, sadistic sex, and illogical reasoning in order to get to some interesting characters, clever dialogue and ever-mounting tension, COME OUT TONIGHT might be for you. I give it four stars as very good at what it intends to be… a horror show.