What in the holy hell did I just read??
I picked this up because I was in the mood for something a bit darker and “dude who went to prison for a crime he didn’t commit plans to destroy the rich politician for whom he took the fall by ruining his son, but then feelings” seemed very much suitable. Except it turns out this book is only for people who don’t mind drug-dealing, body disposal, blackmail and actual fucking sexual assault in their romance MCs. (I just double-checked the warnings and apparently "offensive language" is worth a warning, but not a rape attempt by your MC. Cool cool cool.)
I don’t have the time or fortitude to do a thoughtful analysis of the many ways in which everything in this book was problematic, so let’s hit it list-style:
- The premise/backstory: Shane went to jail for 10 years because a rich politician asshole let him take the fall for the death of a woman the politician had run over. Poor Shane, right? He didn’t kill the woman! He was only there to help the rich guy dispose of her body!! Er. That’s still a massive fucking crime?? Not on the same level as drunk vehicular manslaughter, I’ll grant, but I’m pretty sure if you help someone get rid of a corpse, you’re still gonna do a substantial amount of very well-deserved time. But the whole plot hinges on how Shane went to prison even though he was ~innocent~. It was bizarre.
- That’s not the only time “body disposal” features as Shane and his buddies’ casual sideline business. There is a distressing amount of body disposal plot in this book. More details, sadly, below.
- Shane’s plan is to destroy Rich Politician Dude’s career by having his innocent college son Ros busted for drug-dealing. This is made possible not because Shane frames Ros somehow but because Ros (who is genuinely written as a naïve, sweet, artsy dude) deals drugs to other students. As does Shane. They both deal drugs. It’s presented as no big deal, because Shane’s a bad boy and Ros needs money, because daddy keeps him on a short leash financially. So… drug-dealing. Naturally. Because there are no other jobs that don’t ruin people’s lives. I’m sure there are readers to whom this is not a biggie but it put me off both of these characters from the start.
- Shane’s plan evolves: Once he actually meets Ros, realises he’s gay and they have sparks, he decides to ruin him (and by extension, his dad) another way. I was here for this premise – it’s a pretty good conflict set-up with plenty of angst, let the inconvenient feelings commence, etc. Only, it kind of… started off gross, stayed that way. Shane’s plan involves making a sex tape and using it to screw over Ros’s dad. The whole concept, and the idea that an MC you’re meant to sympathise with would have no qualms about ruining a more or less innocent (at least in the events that sent Shane to jail) person’s life with something as sordid as a sex tape just to get revenge on their parent, was just icky. And it got worse.
- Call Shane & Co. for casual body disposal: Shane’s whole living arrangements were bizarre. He lives in a junkyard along with a mentorly bear type and various other misfits (one of whom seems to think he’s an actual werewolf but I’m not even gonna go there). They’re all queer and it’s clearly meant to be this nurturing, gruffly caring halfway house for queer dudes who need some help getting on their feet. Except the help involves drug dealing. And discreet body disposal. I still have no idea why this author thinks body disposal is a nbd thing that your intended-as-sympathetic characters can or should be doing. Thankfully, they were somewhat vague on the details but vats of acid *were* mentioned a couple of times, so. What. No. Why.
- Shane catches feelings: I mean, I’m sure he’s meant to. He’s clearly into Ros, there’s chemistry, he agrees to be boyfriends because of The Plan, etc., Ros is super-sweet with him and Shane is gruffly fond (and overly possessive, ugh) in return. But for a premise like this one to work and not get really gross really fast, I really need the MC with the revenge plan to start feeling guilty and reconsidering his plan somewhat soonish. And Shane doesn’t. He may like Ros but he continues to think about how he’s gonna ruin his dad with the sex tape until well after the 50% mark. Instead of turning conflicted, the whole thing just became even grimier the longer it went on without Shane having any real change of mind.
- Things get much, much worse, or Nothing Says Love Like Making A Body Disappear For Your Drug-dealing Boyfriend: At one point, a student in Ros’s frat house ODs and dies. Yes, from the drugs that Ros and Shane have been supplying him with. It’s totes not their fault because they didn’t get the guy hooked, he already had an addiction problem! They just got him the stuff that he would’ve otherwise got from someone else! Not their fault, see? Except now he’s dead, in the frat house, and Ros is freaking out because he can’t go to prison! Not to worry, Ros – Shane to the rescue. So Shane… makes the body disappear. Yup. And Ros (the character who’s meant to be a more or less sweet, innocent college kid) helps. Again, no details are supplied (thankfully), but Shane promises the body will never be found, which brings those vats of acid to mind. So… the heroes in this m/m romance just disappeared a body. It’s written very much as “he was a dumb frat boy with a drug habit, it was his own fault” and hey sure, but – that’s still someone’s kid? Someone’s parents will never find out what happened to their son because of what these two assholes did. Yet we’re, somehow, meant to care about their maybe developing feelings for each other. In between the, you know, melting human flesh in acid. MY HEART.
This is getting ridiculously long and I’m not even getting into ALL of the things, but I do need to get into:
- Shane’s Plan Goes Full-on Rape Attempt: So by now supposedly Shane does have feelings. Except then there’s an encounter with Ros’s dad, and Ros (who is financially dependent on his emotionally abusive father and can’t be in a relationship while still in college, a fact Shane is fully aware of) pretends in front of his dad that Shane is no one of consequence. At this, Shane goes into a full sulky rage-filled funk, decides feelings are stupid and he just needs to get back to The Plan (which, this is like two thirds through the book and he’s never actually distanced himself from The Plan yet). So in order to achieve this, he lures Ros to a locked-up shipping container in the creepy junkyard in the middle of the night, shows him a camera set-up, discloses who he really is and proceeds to try and “make” Ros do the sex tape to blackmail his dad with. Ros, understandably, is horrified and not into it. Shane decides not to take no for an answer. A physical assault ensues. There is really, categorically, absolutely not the tiniest shadow of a doubt that this is a rape attempt ~on fucking camera~ but when Ros throws this into Shane’s face, he seems utterly flummoxed. Rape? He would never! Uhm. Well the good news is he then lets Ros go. The bad news is this entire book, really. Because:
- Ros is kinda into it: Not the rape, thankfully; he cuts both Shane and his horrible dad off and attempts to live on his own two feet (without drug-dealing this time, but not because morals, only because he’s afraid of being caught). But Shane, having come to his senses, courts (read: stalks) him for an extended period of time and protects (read: physically attacks anyone near) him from various dangers, and Ros… likes it. And forgives him eventually. Because of course he does.
- The bad guy gets his come-uppance: Meanwhile, Ros’s vapid stepmum has OD’d, because… reasons? Which means Ros’s dad shows up WITH HER CORPSE at the house of the guy he once sent to prison, begging him to help him dispose of one more body. Idk if the author’s being sponsored by Best Body-Dissolving Acid Inc. or something, but this is the third on-page body disposal plot in this book, plus casual mention of others. Only this time it doesn’t work, because Shane and Ros call the cops on Ros’s dad. Because morals? ahahahahaha no, because revenge. Ros also lies to the cops about his dad being more involved in his wife’s drug death than he actually was. Cool, neat. Then he and Shane go off to live happily ever after, melted body slush trailing in their wake.
Suppose next time I click on something because it said “dark romance,” I need to really check the ratio of dark to romance. This is a fucked-up crime novel about two selfish, fucked-up, immoral assholes who get away with multiple actual crimes and happen to end up together.