This update to the first book to provide explicit case histories of the successful marriage of form and content in graphic design explores more than 125 classic and contemporary works-30 of them brand new-explaining why they are aesthetically significant and how they function as good design. These thought pieces offer a vast taste of the aesthetic, political, historical, and personal issues that move today's global design community and fans.•0 Full of new stories about the graphic icons and idols of today's design culture • This replaces 1-880559-76-5 which has sold nearly 20,000 copies
Steven Heller writes a monthly column on graphic design books for The New York Times Book Review and is co-chair of MFA Design at the School of Visual Arts. He has written more than 100 books on graphic design, illustration and political art, including Paul Rand, Merz to Emigre and Beyond: Avant Garde Magazine Design of the Twentieth Century, Design Literacy: Understanding Graphic Design Second Edition, Handwritten: Expressive Lettering in the Digital Age, Graphic Design History, Citizen Designer, Seymour Chwast: The Left Handed Designer, The Push Pin Graphic: Twenty Five Years of Design and Illustration, Stylepedia: A Guide to Graphic Design Mannerisms, Quirks, and Conceits, The Anatomy of Design: Uncovering the Influences and Inspirations in Modern Graphic Design. He edits VOICE: The AIGA Online Journal of Graphic Design, and writes for Baseline, Design Observer, Eye, Grafik, I.D., Metropolis, Print, and Step. Steven is the recipient of the Art Directors Club Special Educators Award, the AIGA Medal for Lifetime Achievement, and the School of Visual Arts' Masters Series Award.
Much like his Looking Closer series, this is a book for what should be a redundancy but seems more like an oxymoron every day: the thinking designer. This is not an eye-candy book, full of pretty pictures and not much substance. It is a (brief) primer on design history and evolution. If Design Literacy and Meggs' History of Graphic Design had a baby, that would be the definitive book on the origins, development, and understanding of graphic design.
Interesting survey of design history through landmark examples. Really suffers from a lack of images, though - one per (admittedly very short) chapter isn't really enough for this kind of thing.
Not a bad book, just not my style. I've always found anthologies to be a challenge in terms of consistently staying interested. Some of the essays are very fascinating, including one about the introduction of mass market paperback novels. However, there were some essays that I just was not interested in.
the book has a ton of design history information. I only got a through the first section and half the second. Which may be a shame but I just wasn't into it right now. Maybe I'll give it go at a later date and could give more attention to the reading. I found it just be okay so far.