Miedav writes entirely from the perspective of a Nazi collaborator from Vichy France. Set in 1999, the plot traces an attempted homecoming, and includes detailed flashbacks to the narrator's childhood. While couched in the first-person point of view, the narration manages to present sympathetic portrayals of varied characters, including a cast of Holocaust survivors, a bevy of international journalists, and a 'tribe' of 'wastrels,' who summarily adopt the disguised protagonist. Lively dialogues carry the story and still leave room for revelatory ruminations. The author's familiarity with current slang and conversational conventions may require a stretch of the imagination to accord the shady protagonist a similar ability to negotiate social mores, but this is not a society novel, nor a psychological portrait. The range of interests and concerns that Miedav brings to the table may exceed that which readers are willing to grant to a war criminal and fugitive, but that challenge to categorical stereotypes can work in both ways, making Crawl Space a valuable addition to a literature of irony that doesn't rely on pastiche to make a point.