Alas, I seem to be reading the Mark L. Van Name novels about Lobo (the AI-driven personality behind the combat-loaded vehicle) and Jon (Moore, the nano-enhanced protagonist courier/mercenary/con man). Apparently, Slanted Jack is the second in the series. If Jon is a con man (and he certainly can be), Jack is the uber-con man. So, when Jack shows up nonchalantly during Jon’s anticipated gourmet dinner, it rather throws off Jon’s appetite. Jon knows that if Jack is smiling, trouble is dialing.
The fun starts right away because Jack knows exactly what it takes to draw Jon into his scheme. Of course, as with all cons, the scheme seems simple enough. Guard a psychic boy during an interview with an eccentric, just to make sure nothing goes wrong. Sure, we’ve heard this before: “We get in. We get out. Nobody gets hurt.” Well, Van Name doesn’t use the line from the old movie Stripes but he might as well have used it. It fits. Well, it fits as first.
Suffice it to say that a triangle of trouble would be putting the eventual situation too lightly. A quadrangle of quicksand would be closer, but still not quite accurate. Yet, the beauty of these novels involves Jon’s intricate planning (including insights on exit plans and risk management), the inevitability of treachery and the improvisational reactions of Jon. Of course, there is the counterpoint of Lobo’s sarcasm and simplified-AI solutions of being able to take out certain opposition forces with an overkill of violence. Naturally, these offers usually seem to come exactly when stealth is called for. It’s part of the delightful tension in the stories.
And, except for Lobo, Jon is the quintessential loner. So, his interactions with humans (especially female humans) are interesting, prone to misunderstanding, and, occasionally, emotionally touching. Jon, for all the fact that his closest friend is a thinking machine, is all too human. Yet, human attachment is dangerous for him because of his background.
The bulk of Slanted Jack, if I haven’t hinted strongly enough in the second paragraph of this review, is built around the “long con” worked in multiple directions. So, there is plenty of tension, but not a lot of violent action (with the exception of a couple of scenes). Yet, that tension is sufficient to keep pages turning at a rapid pace. There is always an element (a hefty one) of subterfuge in these novels, but Slanted Jack seems to balance the planning, the bluffing, and the execution in just the right level of difficulty.