Let me start by saying I adore fantasy and most of all fantasy involving dragons.
LOVE LOVE LOVE it to the point I'm currently writing my own fantasy story involving dragons (because why not).
So I've read a lot from this genre both in published books and, yes, fanfiction.
I'm afraid that for me this just felt a bit more like fanfiction. (Which there is nothing wrong with, in its context, I'm not afraid to say I write fanfiction myself, it's just not what I look for when I purchase published books.)
Now Trosper manages to create a very interesting world, one cannot really fault his world building or the ambitious scope of his work, but its just the character building itself, something I find vital in a novel, which seemed....wooden.
Maybe it was the constant jumping between points of view. Maybe it was the "all the women are stunning, let me describe how stunning they are each in their stereotypical way. Here we have the warrior hottie who doesn't want commitment. Here we have the sweet to the point of diabetes beauty. Here we have the girl next door, serious, studious healer hottie. Here we have the tragic, tortured, rescued from the evil baddies hottie. Have I mentioned they're super gorgeous?" feel to it.
I get it, you set up a hollywood cast of outrageously gorgeous women. Congrats.
(Not that I'm against attractive women in fiction, I just don't appreciate it being thrown down my throat, especially with the silver lady.)
The insta love of the bondmates was also a little cliche, but if this is YA I'm willing to accept it.
One thing I really had trouble with was the way the three way bonding was just this smooth transition. Yeah, the lads had some banter about it, but there was no exploration of what exactly that meant not just for the poor guy who now has feelings for two women to navigate and how on earth he could possibly tread that line, but from the women themselves. I dunno, I found that a fascinating concept that I'd have wanted to explore, and it just wasn't. The sisterly bond as opposed to female rivalry was refreshing, but in not explaining and exploring that and its inherent complications in such a web of emotions, it cheapened it.
Worst of all, in my opinion, the insta-acceptance of the whole "my man just bonded with another woman, lets sit down for a nice cup of tea and feel all warm and fuzzy about this out of the blue development" just made me feel the female characters were Mary Sues on steroids. No complexity, just endless sweetness and acceptance.
Something I found really interesting though, moving away from the topic of characterisation and back to world building and how well it was done, was the idea of silver magic. The fact silvers couldn't be touched and needed a bondmate to protect them may seem anti-feminist, given the only silvers shown were female (although it was never stated - I don't think - that silvers couldn't be male) but actually it was a pretty interesting way to give a character OP powers with an inherent weakness so they wouldn't come across as too ridiculous compared to the rest.
Other than that, the 'baddies' had some interesting moments with some fleshed out back stories, which was good. Although I would have loved for them to be a little less cliche. But I loved the Taylor story and her journey from their side to the side of the good guys, I found that to be one of the best parts of the book and she was the one character I found I actually could emotionally invest in (other than the dragons, because they're frickin dragons).
I did sometimes get a bit confused with who was who in this book though. I couldn't read it in one sitting as I was pretty busy with two jobs when I was reading this book (which may account for me not being able to be fully immersed in it) and so when I'd pick it up to read over breakfast or before bed it took me a while to track who was who. I don't know whether I found the characters flat because their development was broken up by reading it in small chunks (and it is a massive character dump at the beginning when you try and separate loads of characters and their back stories in your head to follow the plot and not grow confused) or whether it was because, as I felt, they just weren't distinct or well fleshed out past their mass of introductory back stories at the beginning, but I didn't warm to any of them besides Taylor.
Their relationships seemed contrived and the romance was shallow, but the plot was fast paced (once you got to the meat of it, be warned its a slow starting book) and the world is a passable fantasy world with enough unique qualities to keep you reading.
Overall it gets three stars for being readable but not quite captivating me in the way I look for in books. Its fantasy, so I was never going to pass up a chance to delve into its world of magic and dragons, but I cannot rate it higher than three stars based on the first book in the series.
I'm currently half way through the second, but have sidelined it in favour of more enticing books at this moment. I intend to pick it up again once more, it was good enough for me to want to finish the story, but it is not my top priority. I have saved it for a lull in my otherwise captivating line of books I am currently wading through.