This volume offers a fascinating inside look at the controversial Skin Fruit exhibition, curated by Jeff Koons from the Dakis Joannou Collection in 2010. The photographs in this book, composed by Koons himself as he installed the show capture a sequence of startling disparate artworks in eloquent communication with one another, just as they live in the collection. Guiding the reader through the exhibition room by room, alongside a pensive and candid commentary by Koons, Skin A View of a Collection offers a rare opportunity to delve inside the artist’s private thoughts on collecting, curating and the nature of art. “I enjoyed installing the exhibition, letting the works have the opportunity to interact with each other because that’s what happens in a collection,” says Koons. “It’s a salon-type experience. There is no hierarchy of worth or value. There is just interaction and communication.”
Jeffrey Lynn Koons is an American artist recognized for his work dealing with popular culture and his sculptures depicting everyday objects, including balloon animals produced in stainless steel with mirror-finish surfaces. He lives and works in both New York City and his hometown of York, Pennsylvania. His works have sold for substantial sums, including at least two record auction prices for a work by a living artist: US$58.4 million for Balloon Dog (Orange) in 2013 and US$91.1 million for Rabbit in 2019. Critics come sharply divided in their views of Koons. Some view his work as pioneering and of major art-historical importance. Others dismiss his work as kitsch, crass, and based on cynical self-merchandising. Koons has stated that there are no hidden meanings or critiques in his works.