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Eike Becker Architects: Superferenz
At nearly 500 pages, this tome is the first comprehensive monograph on Eike Becker Architekten, a Berlin firm that operates at the intersection of architecture and urban planning. Featuring 28 projects, Superferenz provides insight into the architects’ ideas and methods with reproductions from sketchbooks, paintings, collages, models, drawings, photographs and writings.
480 pages, Paperback
First published April 30, 2012
About the author
Klaus Biesenbach
42 books3 followersBiesenbach founded Kunst-Werke (KW) Institute for Contemporary Art in Berlin in 1991, as well as the Berlin Biennale in 1996, and remains Founding Director of both entities. Under his artistic and executive directorship, KW and the Berlin Biennale were started as self-inventive initiatives and are now federally and state funded institutions.
Biesenbach joined MoMA PS1 as a curator in 1996; the museum's director Alanna Heiss had hired him part-time while allowing him to maintain his directorship in Berlin. In 2004, Biesenbach was appointed as a curator in the MoMA's "Department of Film and Media". He was named Chief Curator of MoMA's newly formed 'Department of Media, in 2006, which was subsequently broadened to the Department of Media and Performance Art, in 2009, to reflect the Museum's increased focus on collecting, preserving, and exhibiting performance art. As Chief Curator of the department, Biesenbach led a range of pioneering initiatives, including the launch of a new performance art exhibition series; an ongoing series of workshops for artists and curators; acquisitions of media and performance art; and the Museum's presentation in 2010 of a major retrospective of the work of Marina Abramović—with whom he was formerly romantically involved.
Biesenbach joined MoMA PS1 as a curator in 1996; the museum's director Alanna Heiss had hired him part-time while allowing him to maintain his directorship in Berlin. In 2004, Biesenbach was appointed as a curator in the MoMA's "Department of Film and Media". He was named Chief Curator of MoMA's newly formed 'Department of Media, in 2006, which was subsequently broadened to the Department of Media and Performance Art, in 2009, to reflect the Museum's increased focus on collecting, preserving, and exhibiting performance art. As Chief Curator of the department, Biesenbach led a range of pioneering initiatives, including the launch of a new performance art exhibition series; an ongoing series of workshops for artists and curators; acquisitions of media and performance art; and the Museum's presentation in 2010 of a major retrospective of the work of Marina Abramović—with whom he was formerly romantically involved.
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