I think anyone who follows me probably knows I'm obsessed with Akwaeke Emezi's work. I was extremely lucky to be sent an early copy of Bitter, Emezi's second YA novel which is a companion and prequel to their 2019 novel Pet.
And honestly, this is so very good. Emezi triumphantly returns to the town of Lucille, exploring its history of monsters and angels, in this outstanding novel of safety, protest, art and power. It's a stunning and urgent companion novel to Pet.
Firstly, if you've not read Pet, do not fear. You don't need to, and in fact I think I would probably recommend reading this one first anyway.
Readers of Pet will recognise the protagonist Bitter as Jam's mother, but here we meet her as a young woman, having recently arrived to the town of Lucille to study at an inclusive arts school, Eucalyptus. But outside the gates of her school is a war, as the brave activists of Assata fight against the monsters of oppression for a new world that they deserve. Bitter just wants to make art, and revel in the safety she's finally found after a tumultuous childhood. When she creates a powerful piece of art, everything changes and she finds herself pulled into the fight.
Telling the history of Lucille and its monsters was always going to be ambitious, and Emezi not only sticks the landing but adds extra weight to the mythology and history of the town. As Bitter is a little older than Jam, I feel like we get a broader narrative viewpoint, and also the book is easily twice as long as Pet, so expect a slightly different reading experience on that front. But in typical Emezi fashion the prose is stunning, and the characterisation is strong throughout.
While still playing with the concept of angels and monsters that they explore so deftly in Pet, Bitter explores the power of art, protest, solidarity and built communities that put marginalised people first.