Disfortune is not in the mainstream of American poetic speech, nor is it easily placed into any of the well-known poetic speech-camps that have arisen on its margins. Terse, haunting lyrics expose the irreducible contradictions of living, wherein "the talking-singing, the whole talking-/singing ball of yarn, begins to unravel." Deceptively casual in tone, these poems offer startling confrontations with "the unoriginal/oblivion," with "the contrived delicacy/of what is emptied and kept." Joe Wenderoth sees "fortune" as the mute history of events proceeding toward the ultimate security; his poems arise from "disfortune," from the need "Just to sing the song that's kept you/quiet/all this time." This book is a rare occurrence, marking not only a new intimacy with the world, but also a remembering of the determined motion of intimacy itself.
Joe Wenderoth grew up near Baltimore. He is the author of No Real Light (Wave Books, 2007), The Holy Spirit of Life: Essays Written for John Ashcroft's Secret Self (Verse Press 2005) and Letters to Wendy's (Verse Press 2000). Wesleyan University Press published his first two books of poems: Disfortune (1995) and It Is If I Speak (2000). He is Associate Professor of English at the University of California, Davis.
I was quick to write off this book as vague and indulgently morose when I first checked it out of the library. A few weeks after, I came back to it and found a few poems that really impressed me, "Aesthetics of the Bases Loaded Walk" especially. But I still think that most of the book is willfully impenetrable. Inventive, but not interestingly so.
I feel like Wenderoth has this watershed effect when it comes to broaching the stifling ennui of chronic fatigue. I really like how sleep-centric some of his stuff is and how we share a subtle and washed alarm of finding our bodies humming like the generator does when we awaken.
Smart, sharp poetry that feels ultra-contemporary even though it was written in 1995. Going with 4 stars because I think there's some room for improvement from this first collection , but I'm going right from this to another of his books.
It's no "Letters to Wendy's" but a nice debut nonetheless. Wenderoth's poetry has never done much for me, but I give his complete work a nod of mild approval.