In what was, for most of the people I know, the “Dark Ages,” my little six-transistor radio could pick up KSFO in San Francisco on a good night. That was significant because KSFO used to have an hour-long program at 10:00 PM in which they played back-to-back some old radio programs. I was born at the tail-end of radio and the beginning of television. So, I was amazed to discover how wonderful some of the old shows were. My absolute favorites were: Black Museum (Orson Welles), Sgt. Preston of the Yukon (Paul Sutton), Gunsmoke (with William Conrad), Mr. Keen, Tracer of Lost Persons (Bennet Kilpack), The Bickersons (Don Ameche and Frances Langford), and, of course, The Shadow (the Orson Welles episodes, especially). It wasn’t until much later that I discovered the novels and even later when I rediscovered the character through the Dark Horse Comics. I even have a VHS tape of The Shadow Strikes (a very poor adaptation that was originally, I believe, a serial).
So, if you know a character in multiple forms of media, you’re very likely to be intrigued by a coffee table book written by its creator. Walter B. Gibson, who wrote 1,440,000 words (24 novels of 60,000 words) in 10 months as Maxwell Grant, did a wonderful job of describing the process of writing novels for Street & Smith’s The Shadow magazine, reminiscing about collaboration on the radio shows, sharing about the comic strip and later, comic books, and providing a few notes about the film versions (not the Alec Baldwin one). In addition, there is a three-page list of the novels as published in order and a nine-page listing of the radio episodes (complete with original air dates, stars, and scriptwriters).
Those nine pages are treasure, but to get a better picture of the overall value of the book, add a never-before published novel (The Riddle of the Rangoon Ruby), a chapter about the codes used in the mystery novels (Gibson was an expert on stage magic and codes, having written several books on the subject), a radio script that was reconstructed by Gibson, and the original comic strip story. And, of course, it wouldn’t be a “coffee table” book without some nice color reproductions of covers and some terrific pen and ink sketches from the magazine stories.
The Shadow Scrapbook is a marvelous resource for writers to gain inspiration, fans to reminisce, and pulp historians to archive. It will certainly have me searching for new materials. It was hard to categorize for my virtual shelves because it offers such a variety of material, but I'm very happy I discovered it.