Concentrating on carefully chosen selections from ten writers, Mary Helen Washington explores the work, the realities, and the hopes of black women writers between 1860 and 1960.
Featuring works by Harriet Jacobs, Frances Ellen Watkins Harper, Pauline E. Hopkins, Fannie Barrier Williams, Marita O. Bonner, Nella Larsen, Zora Neale Hurston, Ann Petry, Dorothy West, and Gwendolyn Brooks.
Praise for Invented Lives
“Mary Helen Washington has done more than any other single critic to expand the Afro-American and Anglo-American feminist canons.”— The Women’s Review of Books
“This collection is, in fact, two fine books in at once an anthology and a critical study.”— New York Times Book Review
“The forceful, uncompromising, and distinctive voice of Mary Helen Washington brings together foremothers and daughters . . . in a volume that presents . . . a century of black women’s writing along with a vital new tradition of black feminist criticism.”—Marianne Hirsch, Ms. Magazine
Major Field Prep: 47/133 "Tradition. Now there's a word that nags the feminist critic. A word that has so often been used to exclude or misrepresent women." The distinguishing feature of black women's writing is that they write about black women, which, through systems of exclusion and dismissal, means they long were incompatible with the notion of what is the African American literary tradition. Washington's project, like Carby's, Yellin's and other black feminist critics, is a reconstruction of the literary history that insists on black women's centrality and a rejection of androcentric accounts of history and literature. Authors covered from my lists include: Harriet Jacobs, Frances Harper, Pauline Hopkins, Nella Larsen, Zora Neale Hurston, Ann Petry, and Gwendolyn Brooks.