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Desert Claw
Present day A country torn apart by war and anarchy. Thieves roam the streets. People are being killed in broad daylight. Security is non-existent. And now, terrorists have seized a Van Gogh painting worth £25 million from one of Saddam’s palaces. They are offering it to the highest bidder. The painting’s original owner, a Kuwaiti prince, from whom it was seized during Iraq’s occupation of Kuwait in the First Gulf War, has asked for the British Government’s help in retrieving it. They owe the Prince a favour for backing them during the Iraq War, so they agree to help. But rather than agreeing to pay the terrorists’ ransom — which they fear will be pumped into funding terrorist operations across the world — Her Majesty’s Government decides to send in a team of hardened ex-Special Forces, led by ex-SAS hero Mick Kilbride and his sidekick “East End” Eddie.
Sent undercover in a deniable operation called Desert Claw, their brief is retrieve the painting and eliminate the terrorists at the earliest possible opportunity. The mission sounds simple enough. But as Mick and his team are drawn into a dark and violent world, things are not always as they seem. And in the final climactic scene, a horrible and shocking truth awaits the men.
Sent undercover in a deniable operation called Desert Claw, their brief is retrieve the painting and eliminate the terrorists at the earliest possible opportunity. The mission sounds simple enough. But as Mick and his team are drawn into a dark and violent world, things are not always as they seem. And in the final climactic scene, a horrible and shocking truth awaits the men.
- GenresThriller
128 pages, Paperback
First published May 18, 2006
3 people are currently reading
42 people want to read
About the author
Damien Lewis
83 books454 followersNot to be confused with the actor, Damian Lewis.
Damien Lewis became an author largely by accident, when a British publisher asked him if he'd be willing to turn a TV documentary he was working on into a book. That film was shot in the Sudan war zone, and told the story of how Arab tribes seized black African slaves in horrific slave raids. Lewis had been to the Sudan war zone dozens of times over the past decade, reporting on that conflict for the BBC, Channel 4 and US and European broadcasters.
His slavery documentary told the story of a young girl from the Nuba tribe, seized in a raid and sold into slavery in Khartoum, Sudan's capital city, and of her epic escape. The publisher asked Lewis if the Nuba girl would be willing to write her life story as a book, with his help as co-author. The book that they co-wrote was called 'Slave', and it was published to great acclaim, becoming a number one bestseller and being translated into some 30 lanc guages worldwide. It won several awards and has been made into a feature film.
Over the preceding fifteen years Lewis had reported from many war, conflict and disaster zones – including Sudan, Sierra Leone, Eritrea, Zimbabwe, Nigeria, Iraq, Syria, Burma, Afghanistan and the Balkans (see Author's Gallery). He (and his film crew) traveled into such areas with aid workers, the British or allied military, UN forces or local military groups, or very much under their own steam. He reported on the horror and human impact of war, as well as the drama of conflict itself. Often, he worked alone. Often, he filmed his own material over extended periods of time living in the war or conflict zone.
During a decade spent reporting from around the world Lewis lived in deserts, rainforests, jungles and chaotic third world cities. In his work and travels he met and interviewed people smugglers, diamond miners, Catholic priests 'gone native', desert nomads, un-contacted tribes, aid workers, bush pilots, arms dealers, genocidal leaders, peacekeepers, game wardens, slum kids, world presidents, heroin traffickers, rebel warlords, child prostitutes, Islamist terrorists, Hindu holy men, mercenaries, bush doctors, soldiers, commanders and spies. He was injured, and was hospitalised with bizarre tropical diseases – including flesh-eating bacteria, worms that burrow through the skin and septicemia – but survived all that and continued to report.
It was only natural that having seen so much of global conflict he would be drawn to stories of war, terrorism, espionage and the often dark causes behind such conflicts when he started writing books. Having written a number of true stories, in 2006 he was chosen as one of the 'nation's 20 favourite authors' and wrote his first fiction, Desert Claw, for the British Government's Quick Read initiative. Desert Claw tells of a group of ex-Special Forces soldiers sent into Iraq to retrieve a looted Van Gogh painting, with a savage twist to the tale. That fiction was followed up by Cobra Gold, an equally compelling tale of global drama and intrigue and shadowy betrayal.
Damien Lewis's work, books and films have won the Index on Censorship (UK), CECRA (Spain), Project Censored (US), Commonwealth Relations (UK), Discovery-NHK BANFF (Canada), Rory Peck (UK), BBC One World (UK), BBC-WWF Wildscreen (UK), International Peace Prize (US), Elle Magazine Grande Prix (US), Victor Gollanz (Germany), and BBC One World (UK) Awards. He is a Fellow of the Winston Churchill Memorial Trust, and a Fellow of the Royal Geographical Society.
Damien Lewis became an author largely by accident, when a British publisher asked him if he'd be willing to turn a TV documentary he was working on into a book. That film was shot in the Sudan war zone, and told the story of how Arab tribes seized black African slaves in horrific slave raids. Lewis had been to the Sudan war zone dozens of times over the past decade, reporting on that conflict for the BBC, Channel 4 and US and European broadcasters.
His slavery documentary told the story of a young girl from the Nuba tribe, seized in a raid and sold into slavery in Khartoum, Sudan's capital city, and of her epic escape. The publisher asked Lewis if the Nuba girl would be willing to write her life story as a book, with his help as co-author. The book that they co-wrote was called 'Slave', and it was published to great acclaim, becoming a number one bestseller and being translated into some 30 lanc guages worldwide. It won several awards and has been made into a feature film.
Over the preceding fifteen years Lewis had reported from many war, conflict and disaster zones – including Sudan, Sierra Leone, Eritrea, Zimbabwe, Nigeria, Iraq, Syria, Burma, Afghanistan and the Balkans (see Author's Gallery). He (and his film crew) traveled into such areas with aid workers, the British or allied military, UN forces or local military groups, or very much under their own steam. He reported on the horror and human impact of war, as well as the drama of conflict itself. Often, he worked alone. Often, he filmed his own material over extended periods of time living in the war or conflict zone.
During a decade spent reporting from around the world Lewis lived in deserts, rainforests, jungles and chaotic third world cities. In his work and travels he met and interviewed people smugglers, diamond miners, Catholic priests 'gone native', desert nomads, un-contacted tribes, aid workers, bush pilots, arms dealers, genocidal leaders, peacekeepers, game wardens, slum kids, world presidents, heroin traffickers, rebel warlords, child prostitutes, Islamist terrorists, Hindu holy men, mercenaries, bush doctors, soldiers, commanders and spies. He was injured, and was hospitalised with bizarre tropical diseases – including flesh-eating bacteria, worms that burrow through the skin and septicemia – but survived all that and continued to report.
It was only natural that having seen so much of global conflict he would be drawn to stories of war, terrorism, espionage and the often dark causes behind such conflicts when he started writing books. Having written a number of true stories, in 2006 he was chosen as one of the 'nation's 20 favourite authors' and wrote his first fiction, Desert Claw, for the British Government's Quick Read initiative. Desert Claw tells of a group of ex-Special Forces soldiers sent into Iraq to retrieve a looted Van Gogh painting, with a savage twist to the tale. That fiction was followed up by Cobra Gold, an equally compelling tale of global drama and intrigue and shadowy betrayal.
Damien Lewis's work, books and films have won the Index on Censorship (UK), CECRA (Spain), Project Censored (US), Commonwealth Relations (UK), Discovery-NHK BANFF (Canada), Rory Peck (UK), BBC One World (UK), BBC-WWF Wildscreen (UK), International Peace Prize (US), Elle Magazine Grande Prix (US), Victor Gollanz (Germany), and BBC One World (UK) Awards. He is a Fellow of the Winston Churchill Memorial Trust, and a Fellow of the Royal Geographical Society.
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Displaying 1 - 6 of 6 reviews
September 3, 2024
Awful. Reads like it was written by a 10 year old trying to pretend he knows about the SAS. And the way the conversations are written is like someone is trying to take the piss. No.
July 25, 2017
Nice straightforward action thriller. As a layperson it felt quite authentic military. Love these quick reads - straight to the action with no waffle to weigh down a good story. I saw the final twist coming.
September 21, 2024
Present day Iraq: A country torn apart by war and anarchy. Thieves roam the streets. People are being killed in broad daylight. Security is non-existent. And now, terrorists have seized a Van Gogh painting worth £25 million from one of Saddam's palaces. They are offering it to the highest bidder. The painting's original owner, a Kuwaiti prince, from whom it was seized during Iraq's occupation of Kuwait in the First Gulf War, has asked for the British Government's help in retrieving it. They owe the Prince a favour for backing them during the Iraq War, so they agree to help. But rather than agreeing to pay the terrorists' ransom - which they fear will be pumped into funding terrorist operations across the world - Her Majesty's Government decides to send in a team of hardened ex-Special Forces, led by ex-SAS hero Mick Kilbride and his sidekick 'East End' Eddie.
Sent undercover in a deniable operation called Desert Claw, their brief is simple: retrieve the painting and eliminate the terrorists at the earliest possible opportunity. The mission sounds simple enough. But as Mick and his team are drawn into a dark and violent world, things are not always as they seem. And in the final climactic scene, a horrible and shocking truth awaits the men.
Sent undercover in a deniable operation called Desert Claw, their brief is simple: retrieve the painting and eliminate the terrorists at the earliest possible opportunity. The mission sounds simple enough. But as Mick and his team are drawn into a dark and violent world, things are not always as they seem. And in the final climactic scene, a horrible and shocking truth awaits the men.
June 26, 2020
Unbelievable rather just to far fetched. however an escape from reality is always interesting
Enjoyed your other books though. Perhaps closer to the real happenings wold be more enjoyable to your expected audience next time.
Enjoyed your other books though. Perhaps closer to the real happenings wold be more enjoyable to your expected audience next time.
July 4, 2018
Action packed with some twists and turns for a short story. Definitely a fun read for adults and young adults.
May 26, 2016
I enjoyed this book and the story line about special forces would read more books like this
Displaying 1 - 6 of 6 reviews