It's a sign of a good textbook if I purchase it voluntarily and can't wait to start reading. It's an even better sign if I give it five full stars and have annotations and notes in all the margins.
Folklore studies, fairy tales, mythologies--all that stuff I find fascinating to learn about, not just in the sense of learning legends and reading stories, but diving into them in the academic/scholarly lens. (If folklore studies was a more common major at a wider variety of universities, yes, I would 100% major in that.) This book provides a great foundation into the specifics of what folklore exactly is, through the academic studies lens.
Typically, I am not a person who does well with foundational theories and terms at all; the first few weeks of a new subject can be confusing, with all these new terms thrown at me, but once the class goes on and we start applying those terms and theories, it makes sense. So, following that, I should have not really enjoyed this book. However, it's laid out in a way that constantly repeats the same info and terms, but without making it seem repetitive, rather reframing it into other types of terms that folklorists also use (e.g. folklore is variable/dynamic/informal as well as passed on/conservative/traditional; all terms mean slightly different things of course, but the general idea is that folklore has to contain elements from both groups). It also focused mainly on terms and what falls under those terms, rather than heavy on theories.
One of the reasons this book caught my eye on the shelf was the Hyperbole and a Half meme on the cover (which is used as a tiny case study in digital folk lore in the book). Being an imbiber of fine memes on the interwebs, that caused me to think about "how does this term apply to memes?" and other similar devices (twitter accounts, tumblr posts, etc) that make up the internet culture that I'm familiar with, and it made me all the more interested in continuing to read on.
It is FASCINATING how folklore is constantly in place (that is, not just old tales that are on their way out, like folklore used to be considered) and evolving so quickly that sometimes it's barely extant long enough to study it or record it at all, and then how you can still study it even after no one uses it any longer, but you don't get the true context of it since it's not being actively practiced/shared. The book also helped to define what IS and ISN'T folk lore (while it seems after initial definitions that EVERYTHING is lore, it's really not) and thinking about quirks that I and my family and friends have that are considered folklore. How, even if it's your family's own unique tradition or joke that no one else in the world does or says, you've still created YOUR own little folklore group as a family.
VERY highly recommended for anyone interested in folk lore studies and general terminology, whether you're a student, educator, or just a complete dork for analysis like I am. As the intro states, very few students have any idea what folk lore truly is before they sign up for a "Folklore and...." class in college (and even that class may not teach what it really is, just start applying theories), so if you are a student who is at all interested in really understanding the subject on a deeper level, READ THIS. It's a quick read, even while notetaking, and it's very much an enjoyable, fun read too.