Lin Benedek crafts a poetic score, both grand and intimate, in her latest collection, Singing Lessons. I’m awed by her meticulous eye for detail, and what a testament to her powers of recall and observation that she’s able to weave an opulent tapestry of examined gesture, dialogue, and mise en scène with brief philosophical turns that ground her handiwork in a richly, dark terrain. This book is sumptuous repast for ear and imagination as Benedek pulls us in close to her contemplated world of things and sings us through. Michelle Bitting, Broken Kingdom Lin Benedek’s latest collection, Singing Lessons, has a “morning glory,” “French horn,” “say salvation” soundtrack playing throughout the poems, which, above all, demonstrate that “women need to take up more space.” From Marvin Gaye to Papa Haydn to variations on variations, you won’t be able to keep yourself from humming along. Lynne Thompson, Fretwork These poems blend all the senses, the nerves of the brain, and the blood of the heart. I admire the variety of their forms, studded with the images of Southern California, from the gritty to the gorgeous. Benedek’s impulse is to tell a story, but she’s never that far from a song. Joseph Millar, Kingdom
Judith Marjorie Collins is an American folk and standards singer and songwriter, known for the stunning purity of her soprano; for her eclectic tastes in the material she records (which has included folk, showtunes, pop, and rock and roll); and for her social activism.
Judy Collins was a hugely popular folk singer in the 60's and early 70's. I read another memoir by the author that was written several years after this one and this memoir has quite a bit of the same information but this one centers around her grieving her son's suicide. I found it very sad but I think it would be helpful for someone that has gone through the same experience.
I read Collins' story while doing research for a book I am writing on addiction and found it to be beautifully written and heart-breakingly honest. Filled with the pathos of love and loss, it offers hope that life's tragedies can be survived.
Ms Collins has my sympathy for having lost a child to suicide. Not having had that experience, I cannot imagine what one might feel in coming to terms with this kind of event. That said; if this book had been just about that it probably would have been a more effective telling of her grief and that outcome (at least for me anyway).
I have read a lot of memoirs and I find her writing to be somewhat pretentious and rather overwrought. After a while I found myself saying "oh no, not another name of a friend!". I guess if you are a Judy Collins sort of celebrity you can never have enough friends.
While I have some other observations about this book, I will stop here for having given this 2 cents worth of opinion.
I expected to love this because I enjoy memoirs and she has certainly had an interesting life but I had a hard time with too many names floating around and the story not being told linear - jumping around made it hard for me to follow.
I found this book to be a sensitive loving review of Judy Collins' relationship with her son, Clark, who committed suicide in his thirties., and her life as it dealt with this terrible fact and haltingly continued forward. She speaks a lot about suicide and depression--how it affected her, her son and other people in her life. Having always loved her music, I have an even greater appreciation of her talent and outlook on life. As in her other book that I read (Sweet Judy Blue Eyes, My Life in Music) I find that she opens up about what it is like to be a musician, to be a wife, lover, friend, sister, daughter and mother. She goes into more detail on her relationship with her husband, Louis Nelson, and her wedding, which caught her by surprise. Even though this book reiterates a lot of what was in the other book, I am glad that I read them both--worth the trip.
Unknowingly started reading this the night Judy Collin's mom died...
There's a lot of pain in this book. It was written shortly after the death of Judy's son, but there was still much detail about troubles in the lives of Judy, her father and her son. Made it pretty uncomfortable reading at times.
I thought the organization of the book was odd, as well. Judy jumps around to different topics and time periods, rather than chronologically, which I often found odd and distracting.
What a beautiful and complicated read! Her writing is as silvery as her voice. Although tear jerking at times, I loved this book. It was as inspiring as it was heart wrenching. She covers motherhood, losing her son to suicide, being a part of the folk music revolution, and her battle with alcoholism and depression. She is an amazing woman.
Judy Collins has the courage in this book to share at a deep and intimate level her anguish and process toward healing following the suicide of her son. Moving and insightful.