After the Lovedeath: Sexual Violence and the Making of Culture

by Lawrence Kramer

This elegantly written book is a bold attempt to reinterpret the nature of sexual violence and to imagine the possibility of overcoming it. Lawrence Kramer traces today's sexual identities to their nineteenth-century sources, drawing on the music, literature, and thought of the period to show how normal identity both promotes and rationalizes violence against women.

To make his case, Kramer uses operatic lovedeaths, Beethoven's "Kreutzer Sonata" and the Tolstoy novella named after it; the writings of Walt Whitman and Alfred Lord Tennyson, psychoanalysis, and the logic of dreams. In formal and informal reflections, he explores the self-contradictions of masculinity, the shifting alignments of femininity, authority, and desire, and the interdependency of hetero- and homosexuality. At the same time, he imagines alternatives that could allow gender to be freed from the existing system of polarities that inevitably promote sexual violence.

Kramer's writing avoids the conventional dress of intellectual authority and moves between music and literature in a style that is both intimate and effective. He combines informed scholarship with candid personal utterance and makes clear what is at stake in this crucial debate. After the Lovedeath will have a profound impact on anyone interested in new ways to think about gender.

Genres: Music, Psychology

290 pages, Hardcover

First published December 15, 1997

About the author

Lawrence Kramer is Professor of English and Music at Fordham University
and co-editor of the journal 19th-Century Music. He has held visiting
professorships at Yale, Columbia, the University of Graz, the University of
Newcastle upon Tyne, and McMaster University. His work, focused on the
interrelations of music, culture, and society, comprises numerous essays
and a series of seven books, most recently including Musical Meaning:
Toward a Critical History (2001) and Opera and Modern Culture: Wagner and
Strauss (2004), both published by the University of California Press.
Next year California will bring out Beyond the Soundtrack: Representing
Music in Cinema, a collection he edited with Daniel Goldmark and Richard
Leppert on the basis of an international conference that the three
organized in 2004.

Reviews

[Ella · Rating 1 out of 5]

Freudianism is so not my thing.

[Nehins · Rating 4 out of 5]

Increible. Un poco brusco que saliera de la serpiente pero tiene sentido.
Me a gustao