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941 pages, Paperback
First published December 12, 1990
Unlike the literature of fantasy, in which the world itself — Narnia or Middle Earth — is unreal, fantastic literature finds its bearings in our own landscapes, our cities, our living-rooms, our beds, where suddenly something happens which demands not so much our belief as our lack of disbelief.
Once I defined fantastic literature as 'the impossible seeping into the possible' and found an echo of that definition in a line by Wallace Stevens: 'black water breaking into reality'. It is on this sodden reality that fantastic literature flourishes. The ghost, the wrinkle in time, the mingling of dream and vigil flow into this liquid realm, a realm readers recognize as home, a place where they feel oddly familiar. It is there that readers are at their most vulnerable and there that the fantastic becomes most effective.