Forms of Fanonism: Frantz Fanon's Critical Theory and the Dialectics of Decolonization

by Reiland Rabaka

When Frantz Fanon's critiques of racism, sexism, colonialism, capitalism, and humanism are brought into the ever-widening orbit of Africana critical theory something unprecedented in the annals of Africana intellectual history five distinct forms of Fanonism emerge. Forms of Frantz Fanon's Critical Theory and the Dialectics of Decolonization is discursively distinguished from other engagements of Fanon's thought and texts insofar as it is the first study to consciously examine his contributions to Africana Studies and critical theory or, rather, the Africana tradition of critical theory. Forms of Fanonism identifies and intensely analyzes Fanon's contributions to the deconstruction and reconstruction of Africana Studies, radical politics, and critical social theory. In highlighting his unique 'solutions' to the 'problems' of racism, sexism, colonialism, capitalism, and humanism, five distinct forms of Fanonism materialize. These five forms of Fanonism allow contemporary critical theorists to innovatively explore the ways in which his thought and texts can be dialectically put to use in relieving the wretched experience of this generation's wretched of the earth. Critics can also apply these forms to deconstruct and reconstruct Africana Studies, radical politics, and critical social theory using their anti-imperialist interests. Throughout Forms of Fanonism, Reiland Rabaka critically dialogues with Fanon, incessantly asking his corpus critical questions and seeking from it crucial answers. This book, in short, solemnly keeps with Fanon's own predilection for connecting critical theory to revolutionary praxis by utilizing his thought and texts as paradigms and points of departure to deepen and develop the Africana tradition of critical theory.

Genres: Race

430 pages, Kindle Edition

First published January 1, 2010

About the author

Reiland Rabaka is Professor of African, African American, and Caribbean Studies in the Department of Ethnic Studies and the Founder and Director of the Center for African & African American Studies at the University of Colorado Boulder. He is also a Research Fellow in the College of Human Sciences at the University of South Africa (UNISA). Professor Rabaka has published 19 books and more than one hundred scholarly articles, book chapters, and essays, including Africana Critical Theory; The Negritude Movement; Against Epistemic Apartheid; Forms of Fanonism; Concepts of Cabralism; W.E.B. Du Bois: A Critical Introduction; Black Power Music!: Protest Songs, Message Music, and the Black Power Movement; Black Women’s Liberation Movement Music: Soul Sisters, Black Feminist Funksters, and Afro-Disco Divas; The Funk Movement: Music, Culture, and Politics; Hip Hop’s Inheritance; Hip Hop’s Amnesia; and The Hip Hop Movement. His cultural criticism, social commentary, and political analysis has been featured in print, radio, television, and online media venues such as NPR, PBS, BBC, CNN, ABC, NBC, CBS, MTV, BET, VH1, The New York Times, The Associated Press, and The Guardian, among others. He is also a poet and musician.

Reviews

[Julia · Rating 5 out of 5]

Compelling historical work.