Jack Ritchie was the author of over three hundred mystery short stories that appeared mainly in US popular mystery magazines from the 1950s through the 1980s. His short stories were almost always excellent, providing a clever story, sharp characterization and often leavened with humorous irony. They continue to appear in anthologies today, but there are no recent collections, the last one, Little Boxes of Bewilderment, appearing in 1989. Tiger Island is his only novel and it was published posthumously in 1987. Ritchie died in 1983, shortly after completing it. There is no introduction to this hard to find first edition from First Class Publishers out of Stevens Point, Wisconsin. There was no paperback edition. I obtained a copy to read via Interlibrary Loan. Hopefully, at some point, there will be a reissue of this book (proofread with an introduction this time) as well as a collection of his finer stories. Ritchie does not deserve oblivion.
A Southeastern US island setting provides the backdrop for this suspense tale of a group of people resolving their life histories. The island itself is an artifact of the Old South, having consisted of a group of cotton plantations which of course over time, fell into disuse. The plot brings together two of the principal owners, one of whom is contemplating selling his portion to the main character, the ruthless and amoral Mike Hegan. Hegan initially wants to own the entire island and turn it into a resort. The proposed sale brings Hegan's family, hired help and acquaintances to the island as well as the potential seller, Forrest. Hegan, unknown to all except for one of Hegan's employees, has shipped two caged tigers to the island, supposedly to eventually hunt them. All the characters except Forrest begin various intrigues and campaigns of manipulation attempting to resolve personal issues. Hegan leaves the island and promptly one of the tigers gets loose and the story unfolds.
Most of the writing involves character history portrayals that reveal the motivations behind the actions of characters, past and present. Often the same events are told from different viewpoints. There is plenty of suspense involved as we wait to see what is going to happen to Hegan. The fates of the other characters are often resolved abruptly and unexpectedly, but these events always ring true and character driven and never appear to be plot contrivances. This novel is primarily the story of what weaker people do to survive (or not) when dominated by more powerful figures. Its ending is typical of Ritchie, fiendishly clever and a total surprise. The multiple back stories related are always intriguing and off-beat and worthy of a Faulkner or a McCullers. Most of the writing is narrative and the dialogue relative sparse, but this dialogue is never trite and provides what humor there is in the book. In sum this book is an unconventional suspense story featuring some odd-ball characters, some of whom have rather startling solutions to their problems.