This has been a great reading streak – the last few months have turned up some great books on varying themes. Considering that most translations of feted Malayalam books leave me a little underwhelmed, I was not expecting much from this tale of conflicted morals and scandal within the Church. But, wow – Valson Thampu’s translation is brilliant, capturing a depth of poetry and language from the original Malayalam that I’ve rarely seen matched in other translations from the language.
The basic premise is of a Catholic priest and nun, Roy Francis Kareekkan and Marghalitha, who make the ultimate defiance against the institution they marched into, and leave the church to live together in their newfound love and passion for each other. This is not just a simple matter of two people walking out on the institution they committed their life and celibacy to – in a cloistered, stubbornly ignorant society, this is akin to social suicide. The erstwhile awe and respect they were held in as being God’s messengers suddenly and brutally dissolve into social stigma and the hateful spite of their fellow believers. Marghalitha is more of the protagonist here – her iron will and determinedly defiant outlook even in the face of almost crippling poverty and being an almost social outcast is in stark contrast to Kareekkan, who is assailed by feelings, in turn, of guilt, doubt and utter desolation and who is fatefully bound to the tragic consequences of his decision on his family. The son of a daily wage worker, Kareekkan’s imminent promotion to Vicar was supposed to give his family the respect and admiration they so desperately have lacked in a hard life. Marghalitha , on the other hand, is from a respected family, one of the scion’s of which is about to become Mayor. However, when it comes to their member who has abandoned her habit, they are remorselessly cruel in their disposition towards her, fearing above all the shame on their name by virtue of association.
There are some interesting supporting characters too. Father Augustine, the unconventional priest living in the forests and tending to whomever needy comes to him and with whom Marghalitha ends up staying with for a while after walking out of her home. These sections are some of the most touching in the book, with Marghalitha’s conflicting feelings of disgust and her absolute desire to actually help, something she feels she was not very able to do when she donned the habit, coming to the fore, especially with her virtually adopting the infant Naanu. Brother Manikyan, a lower caste Christian is a character that Sarah Joseph uses to bring forth the hypocrisies in the church on selecting their clergymen. Rebekka, a cousin of Marghalitha’s – another who has been outcast from the family – claims to hear the word of God and makes her mostly unwelcome presence felt at various social gatherings and the dens of faith healers. It is she who helps Marghalitha and sets her on the path to Father Augustine. Then the atheist, Nasthikan George, an engrossing character who ran a theater company which kept diminishing as more people went in search of the elixir of religion, abandoning reason.
The fact that it is set in Thrissur, my hometown (and Sarah’s too) is another factor which appealed to me, though the story she tells can be considered universal in theme. The diktats of institution, specifically religion here and the Catholic church, and it’s mostly dictatorial hold on people which cause them to forgo their own reason and conscious thinking is at the forefront here, told through vividly expressed characters and their situations. As the story shows, the feeble mind usually succumbs though there are always rays of hope wherever the darkness seems to engulf.